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  1. en.wikipedia.org › wiki › Post-rockPost-rock - Wikipedia

    Post-rock is a form of experimental rock [3] characterized by the exploration of textures and timbres as well as non- rock styles, sometimes placing less emphasis on conventional song structures or riffs. [4] Post-rock artists can often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling ...

    • Late 1980s and early 1990s, United Kingdom, Canada and United States
  2. Jun 14, 2021 · Post-Rock Music Guide: History and Sounds of Post-Rock. Beginning in the mid-1990s, a number of indie rock bands moved beyond traditional blues-based guitar riffs and introduced a new subgenre known as post-rock.

  3. Aug 27, 2015 · Some of the best post rock music on the planet. Read more: http://theculturemag.com/music/best-post-rock-bands/00:00 - Explosions in the sky - first breath a...

    • 69 min
    • 252.8K
    • The Culture Mag
    • Slint – “Don, Aman” (from Spiderland) 1991. I generally chose to leave the proto-post-rock bands off this list because including them would mean we’d have to stretch it back another ten years and fifty tracks, but leaving Slint off would be like not inviting Dave Mustaine to the Metallica alumni party.
    • Tortoise – “Djed” (from Millions Now Living Will Never Die) 1996. It’s not an exaggeration to say that this song from Millions Now Living Will Never Die changed my life.
    • Mogwai – “Helicon 1″ (from Ten Rapid) 1997. I’ve been listening to “Helicon 1″ at least once a month (and in bad months, many times more) for two decades.
    • Dianogah – “What Is Your Landmass” (from As Seen From Above) 1997. Just four songs into this thing and we’ve already got another one produced by Steve Albini, from Chicago trio Dianogah’s debut As Seen From Above.
    • Godspeed You! Black Emperor​ – F # A # ¥​ (1997) The Canadian collective’s debut long-player – pronounced “F Sharp, A Sharp, Infinity” – is an eminently quotable treatise on taking rock music elsewhere, anywhere, but where it’s allowed to feel comfortable.
    • Rachel’s – Selenography (1999) Kentucky’s Rachel’s saw their final album, 2003’s Systems/Layers, mined for cinematic use, most prominently in the Will Smith movie Hancock.
    • 65daysofstatic – We Were Exploding Anyway (2010) Sheffield foursome 65daysofstatic have been mixing dance beats with intense riffs and devastating live drums since day one.
    • Mogwai – Young Team (1997) A debut album every bit as exhilarating as Godspeed’s, albeit charged with a more pronounced positivity and optimism that may be a product of the musicians’ age at the time – ostensible frontman Stuart Braithwaite was 21 at release – Young Team ripples with inspiration that surpasses its on-sleeve influences.
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  5. rock. post-rock, genre of experimental rock music that combined elements of art rock, jazz, and alternative with electronic influences to create richly textured soundscapes. The term post-rock was coined in 1994 by music critic Simon Reynolds in his discussion of the music of Talk Talk and Bark Psychosis. Post-rock generally applied to bands ...

  6. Post-Rock. Post-rock was the dominant form of experimental rock during the '90s, a loose movement that drew from greatly varied influences and nearly always combined standard rock instrumentation with electronics. Post-rock brought together a host of mostly experimental genres -- Kraut-rock, ambient, prog-rock, space rock, math rock, tape music ...