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  1. en.wikipedia.org › wiki › Mani_RatnamMani Ratnam - Wikipedia

    Gopalaratnam Subramaniam (born 2 June 1956), known professionally as Mani Ratnam, is an Indian film director, film producer and screenwriter who predominantly works in Tamil cinema [citation needed] and few Hindi, Telugu, Malayalam and Kannada films. He is one of India's most acclaimed and commercially successful filmmakers.

    • 1983–present
    • Gopalaratnam Subramaniam, 2 June 1956 (age 67), Madurai, India
  2. Mani Ratnam is an Indian filmmaker who works predominantly in Tamil cinema. Regarded as one of the greatest Indian filmmakers, he is credited with redefining the "range and depth of Tamil cinema". As of 2019, he has directed 28 films, and produced over 15 under his production company Madras Talkies.

  3. A public list of 25 films directed by Mani Ratnam, a renowned Indian filmmaker, ranked by IMDb ratings. The list includes classics like Nayakan, Roja, Bombay, and Ponniyin Selvan.

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  5. www.imdb.com › name › nm0711745Mani Ratnam - IMDb

    Learn about Mani Ratnam, the acclaimed director of Tamil-language cinema and one of the most respected filmmakers in India. Explore his career, style, themes, and achievements in this comprehensive IMDb profile.

    • January 1, 1
    • 9 min
    • Madurai, Madras State, India
  6. Learn about the life and career of Mani Ratnam, the acclaimed director of Tamil-language cinema and one of the most respected filmmakers in India. Explore his films, awards, influences, and controversies in this comprehensive biography.

    • June 2, 1955
  7. Nov 2, 2023 · Mani Ratnam remained tight-lipped about his much-hyped reunion with Kamal Haasan in KH234, but the legendary filmmaker did provide some insight into what took him so long to work with one of...

  8. Jan 6, 2023 · A retrospective of Mani Ratnam's filmmaking journey from 1983 to 2023, exploring his post-modern aesthetic, his response to liberalisation and consumerism, and his global recognition. Learn how he challenged the divisions of Indian cinema and created a new discourse of post-colonial melodrama.

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