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- Pollock's greatness lies in developing one of the most radical abstract styles in the history of modern art, detaching line from color, redefining the categories of drawing and painting, and finding new means to describe pictorial space.
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- The Life and Art of Jackson Pollock. Artistic brilliance often finds its roots in intriguing life stories, and Jackson Pollock’s journey is no exception.
- Exploring Jackson Pollock's Painting Technique. The Complexity of Drip Painting. Pollock’s drip technique is an intricate dance between spontaneity and control.
- Analysing Jackson Pollock’s Key Artworks. “Autumn Rhythm”: A Dance of Colour and Chaos. “Autumn Rhythm” stands as a testament to Pollock’s ability to translate raw emotion into visual form.
- Jackson Pollock’s Cultural and Historical Context. Post-World War II America: A Crucible for Artistic Innovation. The aftermath of World War II was a time of upheaval, reconstruction, and shifting perspectives.
Pollock's greatness lies in developing one of the most radical abstract styles in the history of modern art, detaching line from color, redefining the categories of drawing and painting, and finding new means to describe pictorial space.
- American
- January 28, 1912
- Cody, Wyoming
- August 11, 1956
- Overview
- Early life and work
- Coming into maturity
Jackson Pollock was an American painter who was a leading exponent of Abstract Expressionism, an art movement characterized by the free-associative gestures in paint sometimes referred to as “action painting.”
What did Jackson Pollock paint?
Jackson Pollock is best known for his action paintings and Abstract Expressionist works. For these pieces, many made during his “poured” period, Pollock dripped paint onto canvas to convey the emotion of movement. He explored themes including surrealist navigation of the unconscious and Jungian symbolism. His early work depicts landscapes and figures with surrealist elements.
Where was Jackson Pollock from?
Jackson Pollock was born in Cody, Wyoming, on January 28, 1912. His family lived there for 11 months after his birth, and Pollock never returned to the town. He grew up in California and Arizona, where his father worked on a string of unprofitable truck farms.
Where did Jackson Pollock live?
Paul Jackson Pollock was the fifth and youngest son of Stella May McClure and LeRoy Pollock, who were both of Scotch-Irish extraction (LeRoy’s original surname was McCoy before his adoption about 1890 by a family named Pollock) and born and raised in Iowa. The family left Cody, Wyoming, 11 months after Jackson’s birth; he would know Cody only through family photographs. Over the next 16 years his family lived in California and Arizona, eventually moving nine times. In 1928 they moved to Los Angeles, where Pollock enrolled at Manual Arts High School. There he came under the influence of Frederick John de St. Vrain Schwankovsky, a painter and illustrator who was also a member of the Theosophical Society, a sect that promoted metaphysical and occult spirituality. Schwankovsky gave Pollock some rudimentary training in drawing and painting, introduced him to advanced currents of European modern art, and encouraged his interest in theosophical literature. At this time Pollock, who had been raised an agnostic, also attended the camp meetings of the former messiah of the theosophists, Jiddu Krishnamurti, a personal friend of Schwankovsky. These spiritual explorations prepared him to embrace the theories of the Swiss psychologist Carl Jung and the exploration of unconscious imagery in his paintings in subsequent years.
In the fall of 1930 Pollock followed his brother Charles, who left home to study art in 1922, to New York City, where he enrolled at the Art Students League under his brother’s teacher, the regionalist painter Thomas Hart Benton. (Jackson dropped his first name, Paul, about the time he went to New York in 1930.) He studied life drawing, painting, and composition with Benton for the next two and one-half years, leaving the league in the early months of 1933. For the next two years Pollock lived in poverty, first with Charles and, by the fall of 1934, with his brother Sanford. He would share an apartment in Greenwich Village with Sanford and his wife until 1942.
Pollock was employed by the WPA Federal Art Project in the fall of 1935 as an easel painter. This position gave him economic security during the remaining years of the Great Depression as well as an opportunity to develop his art. From his years with Benton through 1938, Pollock’s work was strongly influenced by the compositional methods and regionalist subject matter of his teacher and by the poetically expressionist vision of the American painter Albert Pinkham Ryder. It consisted mostly of small landscapes and figurative scenes such as Going West (1934–35), in which Pollock utilized motifs derived from photographs of his birthplace at Cody.
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In 1937 Pollock began psychiatric treatment for alcoholism, and he suffered a nervous breakdown in 1938, which caused him to be institutionalized for about four months. After these experiences, his work became semiabstract and showed the assimilation of motifs from the modern Spanish artists Pablo Picasso and Joan Miró, as well as the Mexican muralist José Clemente Orozco. Jungian symbolism and the Surrealist exploration of the unconscious also influenced his works of this period; indeed, from 1939 through 1941 he was in treatment with two successive Jungian psychoanalysts who used Pollock’s own drawings in the therapy sessions. Characteristic paintings from this period include Bird (c. 1941), Male and Female (c. 1942), and Guardians of the Secret (1943).
In 1943, after the liquidation of the Federal Art Project, Pollock was given a contract by Peggy Guggenheim at her Art of This Century gallery in New York, and his first one-man show was held there in November. Very late in 1943, possibly in the early weeks of 1944, Pollock painted his first wall-size work, called Mural (c. 1943–44). This painting represents Pollock’s breakthrough into a totally personal style in which Benton’s compositional methods and energetic linear invention are fused with the Surrealist free association of motifs and unconscious imagery. Pollock’s evolution from this point throughout the 1940s shows a struggle to find a process by which he could translate his entire personality into painting. The figurative character of works such as Totem Lesson 1 (1944) and The Blue Unconscious (1946) contrasts with the heavily painted, all-over design of Shimmering Substance (1946) and Eyes in the Heat (1946), indicating the range of imagery and technique he employed during this period.
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In 1945 Pollock married the painter Lee Krasner and moved to East Hampton, on the southern shore of Long Island, New York. Krasner, whom Pollock respected as an artist, had already proven her ability to handle his affairs with Guggenheim. She also provided a stabilizing factor that he sorely needed, given his drinking and social awkwardness.
Pollock is best known for working methods of pouring or dripping paint onto a large canvas on the floor, moving about it as he worked, the entire art process being a kind of performance. Typically moving from left to right as if "writing" the work, Pollock laid the key vertical and horizontal elements down first, mostly black or white, and then ...
Jackson Pollock's greatness lies in developing one of the most radical abstract styles in the history of modern art, detaching line from color, redefining the categories of drawing and painting, and finding new means to describe pictorial space.
A major figure in the abstract expressionist movement, Pollock was widely noticed for his " drip technique " of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
Apr 3, 2014 · Famous 20th-century artist Jackson Pollock revolutionized the world of modern art with his unique abstract painting techniques.
