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      • Following his father’s demise in 1986, 14-year-old Shaan was keen on choosing a traditional career — one that promised security and stability; “I did not enjoy the luxury of taking up an unpredictable profession as singing,” he says.
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  2. Shantanu Mukherjee (born 30 September 1972), better known as Shaan, is an Indian playback singer, live performer, composer, actor and television host. He has recorded numerous songs for films and albums in various Indian languages and has established himself as one of the best and highest paid playback singers of Indian Cinema .

  3. Jul 14, 2020 · Not many know that Shaan was only 17 when he started his career as a playback singer in Bollywood. And over the years he is known for his chartbuster tracks in ‘3 Idiots’, ‘PK’, ‘Jab We Met’, ‘Taare Zameen Par’, ‘Kal Ho Na Ho’, ‘Fanaa’, ‘Om Shanti Om’ and many others.

  4. Jan 3, 2022 · Following his father’s demise in 1986, 14-year-old Shaan was keen on choosing a traditional career — one that promised security and stability; “I did not enjoy the luxury of taking up an unpredictable profession as singing,” he says. However, destiny had other plans.

  5. Oct 21, 2014 · In a career spanning for over a decade, Shaan has given voice to some of the biggest superstars of our times. His rise to fame began with his entry into the Indipop scene in the late 90s. In a ...

  6. In conclusion, Shaan's journey from a musical lineage to becoming a stalwart in Indian entertainment reflects not just his talent but also his versatility and enduring appeal. As a playback singer, actor, composer, and television personality, Shaan continues to leave an indelible mark on the cultural landscape of India.

  7. Career. As a Singer. As a child, Shaan started his career by singing jingles for advertisements. He then took a break from it for a brief period. He returned and continued with singing jingles and began to sing remixes and cover versions of the songs.

  8. Mar 14, 2024 · It's not that if someone is singing, it feels like the singer is standing behind the mic. So I always kept in mind that the singing should be fluid, like water. It shouldn't be like you sang too much.