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Early life. [] George Santayana was born on December 16, 1863, in Calle de San Bernardo of Madrid and spent his early childhood in Ávila, Spain. His mother Josefina Borrás was the daughter of a Spanish official in the Philippines and he was the only child of her second marriage. [ 8 ]
- Overview
- Early life and career
- Return to Europe
- Santayana’s system of philosophy
George Santayana (born December 16, 1863, Madrid, Spain—died September 26, 1952, Rome, Italy) Spanish-American philosopher, poet, and humanist who made important contributions to aesthetics, speculative philosophy, and literary criticism. From 1912 he resided in Europe, chiefly in France and Italy.
George Santayana was born in Madrid of Spanish parents. He never relinquished his Spanish citizenship, and, although he was to write in English with subtlety and poise, he did not begin to learn that language until taken to join his mother in Boston in 1872. Santayana was to reside in New England for most of the ensuing 40 years. He went through the Boston Latin School and Harvard College, graduating summa cum laude in 1886. He then spent two years studying philosophy at the University of Berlin before returning to Harvard to complete his doctoral thesis under the pragmatist William James. He joined the faculty of philosophy in 1889, forming with James and the idealist Josiah Royce a brilliant triumvirate of philosophers. Yet his attachment to Europe was strong. He spent his summers in Spain with his father, visited England, and spent his sabbatical leaves abroad: at the University of Cambridge, in Italy and the East, and at the Sorbonne.
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At Harvard he began to write. The Sense of Beauty (1896) was an important contribution to aesthetics. The essay, which is concerned with the nature and elements of aesthetic feelings, holds that to judge that anything is beautiful is “virtually to establish an ideal” and that to understand why something is thought to be beautiful enables one to distinguish transitory ideals from those that, springing from more fundamental feelings, are “comparatively permanent and universal.” The vital affinity between aesthetic faculties and moral faculties is illustrated in Santayana’s next book, Interpretations of Poetry and Religion (1900), particularly in the discussion of the poetry of Robert Browning, which is a model of its kind.
Santayana was appointed a full Harvard professor in 1907. In 1912, however, while he was in Europe, his mother died, and he sent in his resignation from there. He never returned to America, although several attractive offers were made by Harvard in an attempt to draw him back.
Santayana’s resignation astonished his colleagues, for it came at the height of his career. All of his books were admired and influential, and there seemed to be an intimate connection between them and his teaching. Clearly, he was a gifted teacher: interested in his students, devoid of pedantry, and with a superb capacity for analyzing philosophies and related poetry with lucid sympathy while judging them by standards that remained rational and humane. His resignation, nevertheless, can be seen as inevitable: he disliked the academic straitjacket; he wished to devote himself exclusively to his writing; and he was ill at ease in America. His Latin heritage and allegiance gave to his thinking a striking range and perspective, but the net result was to make him want “to say plausibly in English as many un-English things as possible.” From the strain of doing this, he was thankful to escape.
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In 1924 he settled permanently in Rome. The atmosphere was congenial to a native-born Roman Catholic who, though evolving into a philosophical materialist for whom the world of spirit was wholly ideal and nonexistent, had always admired the Catholic and classical traditions. Three new books consolidated his reputation as a humanist critic and man of letters, and this side was brought to perfect expression in a novel, The Last Puritan (1935).
The bulk of his energies in the interwar years, however, went into speculative philosophy. Scepticism and Animal Faith (1923) marks an important departure from his earlier philosophy and serves as “a critical introduction” to and résumé of his new system developed in the four-volume Realms of Being (1928, 1930, 1937, 1940), an ontological (nature of being) treatise of great concentration and finish. In these later works Santayana enhanced his stature as a philosopher by achieving greater theoretical precision, depth, and coherence. Scepticism and Animal Faith conveys better than any other volume the essential import of his philosophy. It formulates his theory of immediately apprehended essences and describes the role played by “animal faith” in various forms of knowledge.
In Realms of Being extraordinarily complex problems are elucidated with luminous succinctness: Santayana makes his way with athletic ease through forests in which ontological philosophers like Edmund Husserl or Existentialist ones like Jean-Paul Sartre flounder self-indulgently. “The realm of essence,” in Santayana’s system, is that of the mind’s certain and indubitable knowledge. Essences are universals that have being or reality but do not exist. They include colours, tastes, and odours as well as the ideal objects of thought and imagination. “The realm of matter” is the world of natural objects; belief in it rests—as does all belief concerning existence—on animal faith. Naturalism, the dominant theme of his entire philosophy, appears in his insistence that matter is prior to the other realms.
Such a philosophy enabled Santayana to accept imperturbably another onset of war. He took rooms in a Catholic nursing home and began a three-volume autobiography, Persons and Places (1944, 1945, 1953). When Rome was liberated in 1944, the 80-year-old author found himself visited by an “avalanche” of American admirers. By now he was immersed in Dominations and Powers (1951), an analysis of man in society; and then with heroic tenacity—for he was nearly deaf and half blind—he gave himself to translating Lorenzo de’ Medici’s love poem, “Ambra,” during which he was overtaken by his last illness. He died in September 1952, a few months before his 89th birthday, and was buried, as he had wished, in the Catholic cemetery of Rome in a plot reserved for Spanish nationals.
Feb 11, 2002 · Philosopher, poet, literary and cultural critic, George Santayana is a principal figure in Classical American Philosophy. His naturalism and emphasis on creative imagination were harbingers of important intellectual turns on both sides of the Atlantic.
George Santayana was an influential 20th century American thinker whose philosophy connected a rich diversity of historical perspectives, culminating in a unique and unrivaled form of materialism, one recommending a bold reconciliation of spirit and nature.
After declining offers from Oxford University and Cambridge University, George Santayana returned to Harvard after his years in Berlin and wrote a doctoral dissertation on Hermann Lotze, a German philosopher and logician.
Nov 19, 2023 · George Santayana, the philosopher who authored the aphorism: ‘Those who cannot remember the past are condemned to repeat it’. A new anthology collects the works of the Madrid-born scholar, who...
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May 18, 2018 · George Santayana (1863-1952), Spanish and American philosopher, developed a personal form of critical realism that was skeptical, materialistic, and humanistic. George Santayana was unique among American and European philosophers during his long lifetime.
