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  2. Maria Luisa of Parma (Luisa Maria Teresa Anna; 9 December 1751 – 2 January 1819) was, by marriage to King Charles IV of Spain, Queen of Spain from 1788 to 1808 leading up to the Peninsular War. Her relationship with Manuel Godoy and influence over the King made her unpopular among the people and aristocrats.

  3. Pécheux was called to Parma in 1765 to paint Princess Maria Luisa of Bourbon-Parma. This portrait, whose commission is recorded in great detail in the artist's autobiography, was for the family of her fiancé, the Prince of Asturias, later Charles IV of Spain (1748–1819).

  4. Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, María Luisa of Parma. As a recently named Royal Painter, the artist was responsib...

  5. The Portrait of Queen Maria Luisa of Parma, consort of King Charles IV, is a very interesting work. While it was painted in 1789, Goya left it unfinished, later modifying it in about 1799 by updating her clothes to give her an Empire-style dress and a turban-like headdress.

  6. María Luisa (1751–1819), the daughter of Philip, Duke of Parma, and Louise Isabelle of France, was married in 1765 to Charles IV, King of Spain. In this painting María Luisa wears, at her waist, the badge of the Order of María Luisa, founded by Charles IV in 1792.

  7. María Luisa of Parma, Princess of Asturias. 1766. Oil on canvas. Room 022. Mengs painted these portraits of the heirs to the Spanish throne -the prince and princess of Asturias, Carlos de Borbón and Maria Luisa of Parma - on the occasion of their wedding.

  8. Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, from 1799-1800. It was produced as a pendant painting to a portrait of her husband. [1]