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  1. Gonzo journalism is a style of journalism that is written without claims of objectivity, often including the reporter as part of the story using a first-person narrative. The word "gonzo" is believed to have been first used in 1970 to describe an article about the Kentucky Derby by Hunter S. Thompson , who popularized the style.

    • Overview
    • Origins
    • Gonzo journalism since Thompson

    gonzo journalism, a style of reporting that places the reporter at the centre of the story in a highly personal and participatory way. The gonzo journalist relays facts in a subjective manner and typically employs satire, hyperbole, scathing critique, and shocking descriptions as part of the story. The creation of gonzo journalism is credited to Am...

    Thompson first achieved notoriety in the mid-1960s after infiltrating the Hells Angels motorcycle club and recounting his experience in the article “The Motorcycle Gangs: Losers and Outsiders” for The Nation magazine. In 1970 Thompson introduced gonzo journalism to the world with the article “The Kentucky Derby Is Decadent and Depraved,” which was published in the short-lived counterculture magazine Scanlan’s Monthly. Rather than report on the horse race or its winners, Thompson focused on the debauched drinking of the Derby’s high-society attendees and his misadventures with British illustrator Ralph Steadman, whose grotesque caricatures captured the raucousness of the event. After its publication, the article was described as “pure Gonzo journalism” by Bill Cardoso, an editor at The Boston Globe. Thompson embraced the term, and “gonzo journalism” became his trademark style, which he employed in his most famous work, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (book 1971; film 1998).

    In 1973 Thompson published his chronicle of the 1972 presidential campaigns of George McGovern and Richard Nixon in Fear and Loathing: On the Campaign Trail ’72. Thompson made no secret of his support for McGovern, going so far as to liken Nixon to a werewolf. His irreverent approach to facts and narrative was described by McGovern’s strategist Frank Mankiewicz as “the most accurate and least factual account of that campaign.”

    Though gonzo journalism became synonymous with Thompson, who died in 2005, the style is evident in subsequent generations’ reporting on various topics, from rock music to war to feminism. In the 1970s and early 1980s, American music journalist Lester Bangs wrote confrontational criticism for underground and counterculture publications, including the American music magazine Creem. His 1979 article for The Village Voice on racism in the punk rock and new wave music scenes, “The White Noise Supremacists,” was searingly self-critical of the kind of offensive and racist verbal barbs that had been part of Bangs’ earlier style.

    In the early 21st century, the gonzo influence continued in work by Generation X and millennial journalists who eschewed objectivity. In 2010 “The Runaway General,” a profile of U.S. Army Gen. Stanley McChrystal written by American journalist Michael Hastings for Rolling Stone, resulted in McChrystal being fired due to the profile’s inclusion of dialogue between the general and his soldiers containing disparaging, derisive remarks about top officials in U.S. Pres. Barack Obama’s administration. Hastings—who once declared that he did not believe in objectivity in reporting—in 2012 published The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan, which recounted his experience covering the Afghanistan War, told from his own iconoclastic, outsider’s point of view. The gonzo style was also adopted outside the United States, as seen in the writing of British journalist Laurie Penny, who combined a hyperbolic style with outspoken left-wing views in articles and books on feminism, gender, and class politics.

  2. Jan 28, 2022 · Founded in 1961, the English satirical news magazine modeled some of what Hinckle created at Ramparts and Scanlan’s. After meeting Thompson in Louisville, Steadman sketched steadily.

  3. He also wrote many books includ­ing The Shook-Up Gen­er­a­tion, a 1958 study of juve­nile delin­quen­cy (and a vol­ume found in Mar­i­lyn Mon­roe’s per­son­al library) that could have primed his inter­est in Thomp­son’s debut Hel­l’s Angels when it came out a decade lat­er. Appear though he may to be the kind of estab­lish­ment fig­ure who’d have lit­tle ...

  4. Jan 5, 2022 · January 5, 2022. Gonzo journalism was an attitude, an experiment, and a withering critique of hypocrisy and mendacity. It began as an accident, peaked with several works of startling power and originality, and eventually consumed its creator. By that time, however, Gonzo was shorthand for Hunter S. Thompson’s work, signature style, and the ...

    • Peter Richardson
  5. Feb 12, 2017 · Founded in 1962 as a Catholic literary quarterly in Menlo Park, Ramparts had become an award-winning San Francisco muckraker that ran bombshell stories on Vietnam, the CIA, and the Black Panthers. Thompson, who was listed as a contributing editor but never wrote for the magazine, admired Hinckle’s swashbuckling style.

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  7. Jun 7, 2021 · Written by MasterClass. Last updated: Jun 7, 2021 • 3 min read. Gonzo journalism is an unconventional style of journalism that relies on the reporter’s personal involvement in the story. While traditional reporting relies on hard facts, gonzo journalism takes readers a step inside the mind and feelings of the writer as the story unfolds ...