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Released: December 5, 2000. Can't Take Me Home is the debut studio album by American singer and songwriter Pink. It was released on April 4, 2000, through LaFace Records, two years after disbanding of the girl group Choice, where Pink served as a soloist. The R&B and dance pop record, Can't Take Me Home was produced by Kevin "She'kspere" Briggs ...
Apr 4, 2000 · Can’t Take Me Home is the debut studio album by P!nk. The pop-R&B album was a moderate success on the Billboard 200 (and worldwide), peaking at number twenty-six. It spawned three
Apr 4, 2000 · Can’t Take Me Home is the debut album by American-singer-songwriter Pink, released in the United States on April 4, 2000 by LaFace Records. ...
Apr 4, 2000 · [Chorus] Can't take me home to mama 'cause she wouldn't think I'm proper Shoulda thought about that before you fucked with me Don't say you're fallin' for me Don't tell me you adore me 'Cause all ...
Apr 3, 2020 · Happy 20th Anniversary to P!nk’s debut studio album Can’t Take Me Home, originally released April 4, 2000. It’s incredible to think that P!nk’s debut album Can’t Take Me Home is celebrating its twentieth anniversary. The year was 2000, a new millennium, a new decade and a new sound. P!nk stormed into the new century with a brash ...
Can't Take Me Home is the debut studio album by American singer and songwriter Pink. It was released on April 4, 2000, through LaFace Records, two years after disbanding of the girl group Choice, where Pink served as a soloist. The R&B and dance pop record, Can't Take Me Home was produced by Kevin "She'kspere" Briggs, Babyface, Kandi Burruss, Terence "Tramp Baby" Abney, Daryl Simmons, and Tricky, while Pink shares songwriting credits on seven out of thirteen tracks. L.A. Reid served as the ...
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Jun 15, 2018 · It may be hard to listen to Pink's debut album Can't Take Me Home without hearing TLC, specifically their 1999 album Fanmail.After all, L.A. Reid and Babyface were the executive producers for both albums, and they decided to use a skittering, post-jungle rhythm for the bedrock of these savvy, club-ready dance-pop productions -- a sound exploited expertly on TLC
