Tony Wendice
Search results
American crime thriller film
- Dial M for Murder is a 1954 American crime thriller film directed by Alfred Hitchcock, [ 4 ] starring Ray Milland, Grace Kelly, Robert Cummings, Anthony Dawson, and John Williams. Both the screenplay and the successful stage play on which it was based were written by English playwright Frederick Knott.
en.wikipedia.org/wiki/Dial_M_for_Murder
People also ask
Is Dial M for murder based on a true story?
What was Dial M for murder?
Was Dial M for Murder filmed in 3D?
Is Dial M for murder a good movie?
Dial M for Murder is a 1954 American crime thriller film directed by Alfred Hitchcock, [ 4 ] starring Ray Milland, Grace Kelly, Robert Cummings, Anthony Dawson, and John Williams. Both the screenplay and the successful stage play on which it was based were written by English playwright Frederick Knott.
Dial M for Murder: Directed by Alfred Hitchcock. With Ray Milland, Grace Kelly, Robert Cummings, John Williams. A former tennis star arranges the murder of his adulterous wife.
- (191K)
- Crime, Thriller
- Alfred Hitchcock
- 1954-05-29
- It’S Based on A Stage Play.
- Alfred Hitchcock Thought He Was “Coasting” When He Made The Film.
- It’S Hitchcock’s only 3D Film.
- It Was Hitchcock’s First Film with Grace Kelly.
- It Takes Place Almost Entirely indoors.
- Hitchcock Personally Chose Every Prop.
- Kelly’s Wardrobe Grows Darker on Purpose.
- Kelly Won A Particular Wardrobe argument.
- Hitchcock Was So Nervous About The Pivotal Scene That He Lost weight.
- Hitchcock Makes His Cameo in A Photograph.
Dial M for Murder is, in terms of locations and number of characters, a relatively sparse film that barely leaves its primary set. This is because it was based on a stage play by Frederick Knott, which premiered as a BBC TV special in 1952 and later opened at London’s Westminster Theater and, eventually, Broadway. After seeing the BBC production, p...
By 1953, when Dial M for Murder arrived at Warner Bros., Hitchcock was developing a project called The Bramble Bush, the story of a man who steals another man’s passport, only to find out that the original owner is wanted for murder. Hitchcock wrestled with the story for a while, but was never satisfied with it. When Dial M for Murder landed at the...
In the early 1950s, the 3D movie craze was raging, and Warner Bros. was eager to pair it with the fame of Hitchcock. So, the director was ordered to use the process on Dial M for Murder. This meant Hitchcock had to work with the giant cameras necessary for the process, but there was also a trade-off that makes the film fascinating—even in 2D. In or...
Of all of the iconic blonde stars Hitchcock cast in his films, the most famous is almost undoubtedly Grace Kelly, the actress-turned-princess who first joined him for this film. Hitchcock once described Kelly as a "rare thing in movies ... fit for any leading-lady part,” and it was said he had the easiest working relationship with her of any star. ...
Because Dial M for Murder is based on a stage play, the original script had very little in the way of outdoor set pieces. Hitchcock wanted to keep it that way, as he later explained to Truffaut: Hitchcock wanted to keep the confinement intact, so almost all of the action in the film takes place indoors, largely in the Wendices' apartment. This adds...
Hitchcock was always known as a meticulous director obsessed with detail, but on Dial M for Murder he was particularly detail-oriented, in part because the 3D cameras were going to capture objects in a way his other films hadn’t. As a result, he selectedall of the objects in the Wendice apartment himself, and even had a giant false telephone dial m...
Hitchcock’s exacting eye also led to an elaborate “color experiment”to portray the psychological condition of Kelly’s character. As the film begins, the colors she wears are all very bright, suggesting a happy life in which she doesn’t suspect anything is wrong. As the film grows darker for her, to the point that she’s framed for murder, the wardro...
For the scene in which Swann (Anthony Dawson) attempts to murder Margot (Kelly) by strangling her (until she manages to stab him with a pair of scissors), Hitchcock had another exacting wardrobe request. He had an elegant velvet robe made for Kelly, hoping to create interesting textural effects as the lights and shadows played off the fabric while ...
Dial M for Murder was shot in just 36 days, but the director took special care with one scene in particular: the murder sequence in which Margot stabs Swann with the scissors. Not only was it a key scene in the film, but it was also a moment that required particular care to make the 3D effects work. Hitchcock agonized over the scene to such a degre...
Hitchcock became known throughout his career for making cameos in his films, ranging from the very subtle (you can see his silhouette in neon outside the window in Rope) to the more elaborate (missing the bus in the opening sequence of North by Northwest). In Dial M for Murder, his cameo falls somewhere in between. He appearsin a class reunion phot...
A former tennis star arranges the murder of his adulterous wife. In London, wealthy Margot Mary Wendice had a brief love affair with the American writer Mark Halliday while her husband and professional tennis player Tony Wendice was on a tennis tour. Tony quits playing to dedicate to his wife and finds a regular job.
Aug 9, 2024 · Dial M for Murder, which was based on a play of the same name by Frederick Knott, centres on a murder plan gone wrong. Ray Milland portrayed the retired professional tennis player Tony Wendice, who discovers that his wealthy wife (played by Grace Kelly) had an affair.
- Lee Pfeiffer
Ex-tennis pro Tony Wendice (Ray Milland) wants to have his wealthy wife, Margot (Grace Kelly), murdered so he can get his hands on her inheritance. When he discovers her affair with Mark Halliday...
- (50)
- Crime, Drama, Mystery & Thriller
- PG
Overview. An ex-tennis pro carries out a plot to have his wealthy wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. Alfred Hitchcock.
