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Around 50%
- Deals with exhibitors differ from film to film, but it is typical for the distributor to take a high percentage of the opening weekend box office, while the exhibitors keep more and more of the gross the longer the film plays in theaters. The money that the distributors receive is called “rentals,” and it usually comes to around 50% of the gross.
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Feb 20, 2017 · The recoupment waterfall. The way a film’s income is collected and distributed is known as the Recoupment Waterfall. Income comes in from a variety of sources and the money is then handed back to the filmmakers via a number of third parties.
Note: This chart ranks distributors by the amount they earned at the domestic box office during 2023. It includes movies released in previous years that earned money during 2023. For example, a movie released over Thanksgiving in 2022 will most likely earn money in 2022 and 2023.
Market Share for Each Distributor 1995-2024. Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam). The yearly amounts on our Theatrical Market pages are based on box office years.
The percentage split for the gross box office is set. The length of engagement is set (typically four weeks). The distributor will get the vast majority of the money made by the movie.
Aug 10, 2020 · The percentage for the gross box office is set. The length of engagement (usually 4-6 weeks). The agreement gives the distributor a greater percentage between the net or gross box office, and the distributor ends up making the majority of the money.
The money that the distributors receive is called “rentals,” and it usually comes to around 50% of the gross. This means that a film needs to make around double its cost in order to break even. You also have to factor in the P&A (prints and advertising) budget, which can sometimes be as costly as the film’s production.
Jan 31, 2011 · So if a film only makes $10 million at the box office, the distributor will get only 45 percent of that money. But if a film makes $300 million at the box office, then the distributor gets up...
