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Five stars for 'uncontrived, authentic' Minari. Minari, which tells the story of a Korean-American family building a life in rural Arkansas is "sensitively written and acted and beautifully...
- The protagonist is incredibly lucky. The incredibly lucky protagonist is probably the most common way we force our plots to unfold the way we want them to.
- Characters act “on a whim” or have and do the exact thing needed to move the plot forward. Anytime you use the words “suddenly,” “on a whim,” or “on a hunch,” stop and make sure there’s a logical reason for the character to be doing whatever she’s doing.
- Characters have “sudden suspicions” about someone they have no reason to suspect—and they’re right. While very similar to the “whim” issue, this one is created when a character has trusted or believed another for a large portion of the book, and then out of the blue, the protagonist gets suspicious.
- A convenient, unmentioned-before-it-was-needed detail provides the reason for something to happen. Like the karate example from above, we backfill the necessary reason so the plot works the way we want it to.
The plot is uncontrived and believable, with human characters experiencing a situation that just about anyone can relate to. A great photojournalist seeks out subjects that are candid and uncontrived. It is not easy to find uncontrived opportunities for the family to spend time together. SMART Vocabulary: related words and phrases.
- Definition of Plot
- Common Examples of Plot Types
- Aristotle’s Plot Structure Formula
- Freytag’s Pyramid
- Differences Between Narrative and Plot
- Three Basic Patterns of Plot – William Foster-Harris
- Master Plots – Ronald R. Tobias
- Seven Types of Plots – Jessamyn West
- Why It Is Good to Break Traditional Plot Structures
- Linear and Non-Linear Plots
Plot is a literary device that writers use to structure what happens in a story. However, there is more to this device than combining a sequence of events. Plots must present an event, action, or turning point that creates conflict or raises a dramatic question, leading to subsequent events that are connected to each other as a means of “answering”...
In general, the plot of a literary work is determined by the kind of story the writer intends to tell. Some elements that influence the plot are genre, setting, characters, dramatic situation, theme, etc. However, there are seven basic, common examples of plot types: 1. Tragedy: In a tragic story, the protagonist typically experiences suffering and...
Though this principle may seem obvious to modern readers, in his work Poetics, Aristotle first developed the formula for plot structure as three parts: beginning, middle, and end. Each of these parts is purposeful, integral, and challenging for writers. It can be difficult for writers to create an effective plot device in terms of making decisions ...
In 1863, Gustav Freytag (a German novelist) published a book that expanded Aristotle’s concept of plot. Freytag added two components: rising action and falling action. This dramatic arc of plot structure, termed Freytag’s Pyramid, is the most prevalent depiction of plot as a literary device. Here are the elements of Freytag’s Pyramid: 1. Exposition...
Plot and narrative are both literary devicesthat are often used interchangeably. However, there is a distinction between them when it comes to storytelling. Plot involves causality and a connected series of events that make up a story. Plot refers to what actions and/or events take place in a story and the causal relationship between them. Narrativ...
In his book, The Basic Patternsof Plot, Foster-Harris presented three types of plot. 1. Happy Ending Plot:These plots end on a happy note when the central character makes a sacrifice or resolves the conflict. Also, there is a positive and light-hearted ending to the story. 2. Unhappy Ending:In this type of plot, the central character acts logically...
The term master plots occur in the book of Ronald R. Tobias, 20 Master Plots. Some of the important ones are Quest, Adventure, Pursuit, and Rescue. These are followed by Escape, Revenge, The riddle, Rivalry, and Underdog, while Temptation, Metamorphosis, and Transformation follow them. Some others are Maturing, Love, and Forbidden Love. Sacrifice a...
Besides thematic plots, Jessamyn West, a volunteer librarian has listed seven basic and major plots for a story. His argumentseems based on the type of characters. 1. A woman against nature 2. A woman against another woman, or a man against another man 3. A woman against the environment or vice versa 4. A woman against technology 5. A woman against...
Although most critics are very strict about a story having a plot, it is quite unusual to break the conventional structures and create a new one. This creativity is the hallmarks of a literary piece as breaking the traditional plot structure makes the literary piece in the process a unique addition to the long list of such other pieces. This also m...
These two very simple terms, linear and non-linear in the literary world with reference to plots, define how a plot has been structured. A linear plot is constructed on the idea of chronological order having a clear beginning, a defined middle, and a definite ending. However, when an author, such as the referred novelin the above example shows, bre...
Plot is the sequence of interconnected events within the story of a play, novel, film, epic, or other narrative literary work. More than simply an account of what happened, plot reveals the cause-and-effect relationships between the events that occur. Some additional key details about plot:
Anything that's uncontrived is natural or spontaneous, rather than fake or pre-planned. An uncontrived speech feels real and heartfelt rather than overly rehearsed and stiff. If something is false or carefully constructed to appear a certain way, it's contrived.
The earliest known use of the adjective uncontrived is in the early 1600s. OED's earliest evidence for uncontrived is from 1612, in the writing of William Parkes, satirist.
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