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- The French Suites are six suites composed by Johann Sebastian Bach between 1722 and 1725. They were written to be played on the harpsichord or clavichord. A suite is a group of dances. Bach did not call them French Suites. That title was given to the group by someone else.
simple.wikipedia.org/wiki/French_SuitesFrench Suites - Simple English Wikipedia, the free encyclopedia
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The French Suites, BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725. [1] Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier.
6 French Suites, BWV 812-817 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
- Französische Suiten
- 6 French Suites
- Bach, Johann Sebastian
The French Suites (BWV 812–817) are a set of six keyboard suites Bach compiled in his late thirties, the most prolific period of his life producing a series of important instrumental works.
The French Suites are six suites composed by Johann Sebastian Bach between 1722 and 1725. They were written to be played on the harpsichord or clavichord. A suite is a group of dances. Bach did not call them French Suites.
They are generally called French Suites because they are written in the French taste. By design, the composer is here less learned than in his other suites, and has mostly used a pleasing, more predominant melody.
A new recording from a Bach luminary of our time: the French Suites, returned to their original context as private music for entertainment and instruction. The title of French Suites does not originate from Bach’s hand: they were called “Suites pour le clavessin” by the composer.
Aug 1, 2017 · Bach French suites. Bach wrote a set of six French Suites, of which we’ll be focusing on the first. In each suite, all of the dances are in the same key (to provide unity between the dances). He starts us off with a serious allemande, followed by a majestic courante, then a slow and expressive Sarabande.
