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- On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathetic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free.
www.imdb.com/title/tt4949112/
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What is 'Touch Me Not' by Adina Pintilie about?
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What does Adina Pintilie say at the beginning of 'Touch Me Not'?
What is Touch Me Not About?
Jan 9, 2019 · “I’ve never told you what this is about,” Adina Pintilie says at the beginning of “Touch Me Not.” The target of the confession is vague; it’s possible to imagine that her words are addressed to...
- Adina Pintilie
Mar 15, 2018 · General. ‘Touch Me Not’ Review: Adina Pintilie’s Berlinale Winner Is a Sexual Odyssey Stuck Between Purity and Prurience. For all of its nudity and kink — its unashamed erections and BDSM — this...
Aug 7, 2024 · I met with Romanian director Adina Pintilie on Sunday, September 9, 2018, at the Toronto International Film Festival, to discuss her debut feature, Touch Me Not (which I also reviewed), which won top honors at this year's Berlin Film Festival.
Touch Me Not: Directed by Adina Pintilie. With Laura Benson, Tómas Lemarquis, Christian Bayerlein, Grit Uhlemann. Together, a filmmaker and her characters venture into a personal research project about intimacy.
- (3K)
- Drama
- Adina Pintilie
- 2018-10-31
Adina Pintilie's film "TOUCH ME NOT" is dealing with our notion of bodies, love and intimacy and makes you explore yourself.For more information, visit: http...
- 20 min
- 41.5K
- TEDDY AWARD
Feb 22, 2018 · Adina Pintilie’s first feature, 'Touch Me Not,' is an eye-opening look at human sexuality on the uncertain edge of fiction and non-fiction. By Deborah Young Plus Icon
A brave experiment in opening the screen to less sexually cocksure voices, Pintilie’s unflinching portrait of differently marginalised characters learning to find comfort in their own skin is at its best when at its most direct. Reviewed at the 2018 Berlinale Film Festival.
