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      • On Metacritic, the film holds a weighted average score of 62 out of 100, based on 20 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Critic Roger Ebert gave the film three out of four stars.
      en.wikipedia.org/wiki/The_Man_Without_a_Face
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  2. The Man Without A Face. 114 minutes ‧ PG-13 ‧ 1993. Roger Ebert. August 25, 1993. 4 min read. The most striking element in Mel Gibson’s “The Man Without a Face” is the intelligence of the language.

    • Geoffrey Lewis

      Geoffrey Lewis movie reviews & film summaries | Roger Ebert

  3. The Man Without a Face. NEW. Young Chuck Norstadt (Nick Stahl) wants nothing more than to join a prestigious military academy like his late father, but he is wary of the school's lofty academic...

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    • Mel Gibson
    • PG-13
    • Mel Gibson
  4. Dec 20, 2023 · “The Man Without a Face” is a timeless movie that explores themes of friendship, acceptance, and the power of forgiveness, leaving a lasting impact on its viewers with its emotional storytelling and compelling performances.

  5. The Man Without a Face is such a noble, well-intentioned little film that one feels like an ogre picking on it. Alternately poky and melodramatic--and occasionally witty and insightful--the...

  6. The Man Without a Face is a 1993 American drama film starring and directed by Mel Gibson, in his feature film directorial debut. The film is based on Isabelle Holland's 1972 novel of the same name. Gibson's direction received positive reviews from most critics.

  7. The Man Without a Face: Directed by Mel Gibson. With Mel Gibson, Nick Stahl, Margaret Whitton, Fay Masterson. Chuck wants to leave home but can't make the grade for boarding school. Then he finds out the disfigured recluse living nearby is an ex-teacher.

  8. Aug 25, 1993 · The Man Without a Face saves itself from sugary sweetness by presenting the friendship of McLeod and Chuck against a harsh small-town background. The screenplay takes off in some strong directions, while Gibson, in his first film as a director, keeps it honest all the way.