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Extraordinary feminist horror novel
- The Stepford Wives is an extraordinary feminist horror novel. Its vision of a group of men who engineer housework-loving robots to replace their restless wives offered not only a satire of male fears of women’s liberation, but a savage view of heterosexual marriage.
www.mindfood.com/article/suburban-living-did-turn-women-into-robots-why-feminist-horror-novel-the-stepford-wives-is-still-relevant-50-years-on/
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Jul 25, 2022 · In his 1972 novel The Stepford Wives, Ira Levin powerfully dramatised women’s suburban alienation and men’s resistance to feminist change. Michelle Arrow traces its enduring influence.
- Michelle Arrow
The Stepford Wives is a 1972 satirical "feminist horror" [1] novel by Ira Levin. The story concerns Joanna Eberhart, a talented photographer, wife, and young mother who suspects that something in the town of Stepford is changing the wives from free-thinking, intelligent women into compliant wives dedicated solely to homemaking.
- Ira Levin
- 1972
The Stepford Wives, novel by American author Ira Levin, published in 1972. It has been described as the first “feminist horror novel,” with echoes of Levin’s earlier horror masterpiece Rosemary’s Baby. Photographer Joanne Eberhart and Walter, her husband, have just moved to Stepford, Connecticut, with their two children.
Aug 12, 2022 · The Stepford Wives is an extraordinary feminist horror novel.. Levin powerfully dramatised women’s suburban alienation and men’s resistance to feminist change. The Stepford Wives begins with Joanna Eberhart, a wife, mother and photographer, who moves with her family from Manhattan to the suburban town of Stepford.
Sep 1, 1972 · Disclaimer: I'm a feminist, so obviously I'm a little biased, but in my opinion, STEPFORD WIVES is a feminist book in the same vein as THE HANDMAID'S TALES. STEPFORD is set in the middle of the civil rights era, where Betty Friedan is giving her talks and NOW chapters are rallying for equal rights for women.
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- Paperback
Because The Stepford Wives features a community’s systematic oppression of women, it can be seen as something of a precursor to other dystopian feminist novels like Margaret Atwood’s The Handmaid’s Tale (1985), which is about a future in which a patriarchal society forces women into sexual servitude.
The novel dramatizes the experience of living in such restrictive patriarchal systems by placing Joanna Eberhart —a strong-willed feminist—in the insular community of Stepford, where men replace their wives with robots designed to look pretty and serve their domestic (and presumably sexual) needs.
