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- Together with Berlin: Die Sinfonie der Großstadt (Berlin: Symphony of a City, Ruttmann, 1927), Chelovek s kinoapparatom (Man with a Movie Camera) is one of the best-known examples of a city symphony—a film genre that is also described as “city film” or “city poem,” combining elements of documentary, narrative, and experimental film.
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Man with a Movie Camera[1] (Russian: Человек с киноаппаратом, romanized: Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film.
Man with a Movie Camera (1929) Bottomless invention and frenetic, dizzying montage make this city symphony one of cinema’s sharpest, most exciting experiences nearly a century after its release.
Jul 1, 2009 · “Man With a Movie Camera” opens with an empty cinema, its seats standing at attention. The seats swivel down (by themselves), and an audience hurries in and fills them. They begin to look at a film.
Dec 14, 2017 · Crafted from his earlier newsreels and images freshly shot in the Ukraine, Man with a Movie Camera has been classified as a documentary and a symphony film, but Vertov had a more specific idea of it.
- Shari Kizirian
Apr 9, 2024 · Man with a Movie Camera is as much a symphony of machines as it is of a city, itself becoming a machine through the observation of Kaufman’s camera and Svilova’s editing.
Man with a Movie Camera is considered a pivotal work in the city symphony genre because it embodies the spirit of experimentation characteristic of this style. Unlike traditional narratives, it focuses on capturing the essence of city life through its visual rhythm and non-linear structure.
Sep 1, 2017 · Dziga Vertov’s Man with a Movie Camera (1929) is a great film, but it’s a cheat as a city symphony – filmed across four different locations (Kiev, Moscow, Odessa and Kharkov) and just as concerned with its own internal design as with representing a place in time.
