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      • The film tries to continue in the tradition of feminist horror forged by films like Pari, Stree and Bulbbul. Mrighdeep and Gautam use Roohi's story to deliver a message of self-acceptance and finding your inner strength.
      www.filmcompanion.in/reviews/roohi-review-horror-comedy-a-screenplay-that-borders-on-incoherence-janhvi-kapoor-rajkummar-rao-varun-sharma-anupama-chopra
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  2. One of her abductors falls in love with her while the other falls in love with the witch who possesses her. Though the plot seems to predictably veer towards “saving” Roohi from the witch, there is an unexpected twist towards the end which makes Roohi such a different horror movie.

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  3. Mar 11, 2021 · The film tries to continue in the tradition of feminist horror forged by films like Pari, Stree and Bulbbul. Mrighdeep and Gautam use Roohi's story to deliver a message of self-acceptance and finding your inner strength.

  4. Mar 9, 2021 · In Hardik Mehta's new film, Roohi, two kidnappers (Rajkummar Rao and Varun Sharma) get more than they bargained for when they discover that their victim, Roohi (Janhvi Kapoor), is possessed by the ghost of a deadly spirit. Ahead of the film's release, Rao and Janhvi Kapoor talk about the film's feminist subtext and the non-stereotypical ...

  5. Roohi is a 2021 Indian Hindi-language comedy horror film directed by Hardik Mehta and produced by Dinesh Vijan under the banner Maddock Films. It tells the story of a ghost who abducts brides on their honeymoons.

  6. Mar 11, 2021 · The problem is blatant: the deliberate misogyny of the comedy is at odds with the belated feminism of its horror. This mismatch of language reaches its peak when the audience is pushed to derive humour out of boys being boys.

  7. Mar 11, 2021 · The film Roohi tries to continue in the tradition of feminist horror forged by films like Pari, Stree and Bulbbul. Director Hardik Mehta and writers Mrighdeep Singh Lamba & Gautam Mehra use...

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  8. Mar 15, 2021 · Roohi’s predecessor Stree (2018), despite its cliches and flaws, had a strong feminist subtext. It had a woman in charge of the proceedings, who turned men into powerless participants in her design.