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1997 surrealist neo-noir film
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- Lost Highway is a 1997 surrealist neo-noir film directed by David Lynch, and co-written by Lynch and Barry Gifford.
en.wikipedia.org/wiki/Lost_Highway_(film)
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Lost Highway is a 1997 surrealist neo-noir film directed by David Lynch, and co-written by Lynch and Barry Gifford. It stars Bill Pullman , Patricia Arquette , Balthazar Getty , and Robert Blake in his final film role.
Oct 4, 2023 · Lost Highway combines elements of film noir, psychological horror, and surrealism, resulting in a unique and captivating cinematic experience. Lynchian Aesthetics: The movie is a prime example of David Lynch’s trademark aesthetics, with its dreamlike sequences , duality, and unconventional storytelling.
Oct 24, 2022 · "Lost Highway" is an oblique nightmare that swirls haphazardly around themes of identity and sexual insecurity. Its main character — who may be two main characters — is lost in a shadowy noir...
- Witney Seibold
Feb 27, 1997 · David Lynch’s “Lost Highway” is like kissing a mirror: You like what you see, but it’s not much fun, and kind of cold. It’s a shaggy ghost story, an exercise in style, a film made with a certain breezy contempt for audiences.
Feb 21, 2022 · That’s as true of 1977’s pioneering Eraserhead and 1986’s revered Blue Velvet as it is 1999’s comparatively conventional The Straight Story and 2006’s maligned Inland Empire. It’s certainly also valid for what’s perhaps his most unjustly disparaged creation: 1997’s Lost Highway.
REALISM AND SURREALISM IN ‘LOST HIGHWAY’: AN EFFORT TO BE OBJECTIVE Premier critic Andy Klein could not have been any truer when he wrote, “In the two decades since ‘Eraserhead’, David Lynch has established himself as American cinema’s premier surrealist, our own Wizard of Weird” (KLEIN, 1997).
Marking a further escalation in David Lynch's surrealist style, Lost Highway is a foreboding mystery that arguably leads to a dead end, although it is signposted throughout with some of...
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