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- W hen Annie Hall was released 40 years ago, on April 20, 1977, TIME’s critic Richard Schickel called the Woody Allen opus “a ruefully romantic comedy that is at least as poignant as it is funny and may be the most autobiographical film ever made by a major comic.”
time.com/4738433/annie-hall-1977-review/Annie Hall at 40: Read Original Movie Review From 1977 - TIME
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Annie Hall is a 1977 American satirical romantic comedy-drama film directed by Woody Allen from a screenplay written by Allen and Marshall Brickman, and produced by Allen's manager, Charles H. Joffe.
- The 400 Blows (1959, François Truffaut) As we all know, the film that officially started and inaugurated the Nouvelle Vague, “The 400 Blows”, Truffaut’s debut, is the story of a sad, misunderstood, often ignored and neglected 12-year-old Parisian boy.
- Amarcord (1973, Federico Fellini) Who hasn’t laughed and dreamed while watching Fellini’s 1973 masterpiece? “Amarcord” is a true marvel of mixed emotions, real excitement and true aesthetic and intellectual awakening.
- The Andy Warhol Story (1967, Andy Warhol) This film is definitely an absolute rarity, an oddity, a legend, a complete mystery. Behold “The Andy Warhol Story”.
- Annie Hall (1977, Woody Allen) The great Woody Allen vehemently denies that “Annie Hall” is autobiographical at all. However, his co-star Diane Keaton has always claimed otherwise.
- Allen’s Original Idea For The Movie Was Entirely different.
- Early Drafts Contained A Slew of Fantasy Elements.
- One Discarded Subplot from Annie Hallbecame Another Movie.
- The Studio Hired An Ad Agency to Make Allen’s Title More marketable.
- Ultimately, The Film Was Named After Its Lead Actress.
- Allen Hated One Scene So Much He Threw It Intothe East River.
- Annie Hall’s Costume Designer Almost Cost America A Fashion Trend.
- The Film Employs A Very Low-Tech Version of Split Screen.
- Allen’s Cocaine-Induced Sneeze Was The Real thing.
- Annie Hall’s Scenes Were More Than Twice as Long as The Average 1977 Film’S.
Although Annie Hallis now heralded as one of the most influential and inventive romantic comedies of all time, director and co-writer Woody Allen’s original mission was not to make a relationship picture. Allen and his writing partner, Marshall Brickman, instead conceived of the story as a general exploration of the main character’s life and psyche...
Included among the original script’s fantasy scenes and dream sequences were Alvy and Annie’s time-hopping visits to the Garden of Eden, the French Resistance, and Nazi Germany, parodies of the films Angel on My Shoulder and Invasion of the Body Snatchers, a guided tour of Hell (featuring Richard Nixon), and a basketball game between the New York K...
The Annie Hall scene following Alvy and Annie’s last-minute decision to skip out on the Ingmar Bergman film Face to Face was initially meant to kick off a sequence in which the pair witnesses and investigates a murder. The story would later be recycled as the premise of 1993's Manhattan Murder Mystery, which again stars Allen and Keaton as a romant...
United Artists United Artists, the distributor of Allen’s four previous films (Bananas, Everything You Always Wanted to Know About Sex But Were Afraid to Ask, Sleeper, and Love and Death) recognized the inherent difficulty in marketing a film called Anhedonia. In an effort to make Allen’s desired title more palatable, the studio hired an advertisin...
After a few regrettable title suggestions from Brickman (A Rollercoaster Named Desire, It Had to Be Jew, and Me and My Goy) and a couple of somewhat bland options by Allen (Anxiety and Alvy and Me), the movie wound up inheriting the name of its heroine: Annie Hall, a character named after the actress who portrayed her. Diane Keaton’s birth name was...
Although Allen grieved the loss of most of the material that didn’t make it to the screen, there was one sequence he was glad to be rid of: A late-in-film fantasy bit in which a sentient traffic light convinces Alvy to fly across country and win Annie back. Allen thought the scene was so disgustingly cutesy that he allegedly tossed the prints into ...
United Artists The “Annie Hall look” became a tremendous fashion craze following the release of the film, as women in the late 1970s began to mimic the character’s appropriation of “menswear” (bowler hats, coats and blazers, baggy pants, and neckties) as newly feminine garments. Keaton herself supplied most of Annie’s wardrobe—the actress ordinaril...
Annie Hall is celebrated for its innovative utilization of split screen—specifically in one scene in which both Alvy and Annie are meeting with their respective shrinks—but the process behind the device was particularly "old fashioned" (almost pre-technological). Cinematographer Gordon Willis actually set up a thin wallbetween adjacent sets to shoo...
One of the biggest laughs in early screenings of Annie Hall came upon watching Alvy’s voluminous sneeze spread a container of cocaine around the living room of his flustered friends. It’s tough to imagine a better way of capping such a sequence, but in fact the moment was born on set: The sneeze was real and unexpected, and stayed in the movie than...
Generally speaking, a film’s average scene length is directly related to the complexity of the material it showcases—longer scenes allow for more intricate conversations and greater opportunities for cinematic experimentation. Critic David Bordwell, who highlighted Allen’s work in a 2002 study pertaining to the scene length of Hollywood movies, det...
May 12, 2002 · “Annie Hall” contains more intellectual wit and cultural references than any other movie ever to win the Oscar for best picture, and in winning the award in 1977 it edged out “Star Wars,” an outcome unthinkable today.
Annie Hall clearly has semi-autobiographical elements - it is the free-wheeling, stream-of-consciousness story of an inept, angst-ridden, pessimistic, Brooklyn-born and Jewish stand-up comedian - much like Allen himself (who started out as a joke writer for The Tonight Show) - who experiences crises related to his relationships and family. His ...
Sep 3, 2014 · “Annie Hall” Dir: Woody Allen. Criticwire Average: A+. Right now, you could probably bifurcate Woody Allen’s filmography into “The Good Years” (1969-1994) and “The Wildly Uneven, Sometimes...
