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Through film, Breillat attempts to redefine the female narrative in cinema by showing female characters who undergo similar experiences as their male counterparts. Many of Breillat's films explore the transition between girlhood and adulthood.
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Une vraie jeune fille(1975) Tapage Nocturne(1979) 36 Fillette(1988) Sale comme un ange(1991) A propos de Nice, las suite (1995: segment of Aux Nicois qui mal y pensant) Parfait amour!(1996) Romance(1999) À ma soeur! (2001) Brève traversée(2001) for television Sex is Comedy(2002) Anatomy of Hell(2004) Une vieille maîtresse(The Last Mistress, 2007) B...
Kathleen Murphy, “A Matter of Skin: Catherine Breillat’s Metaphysics of Film and Flesh”, Film Comment35, no. 5, September/October 1999, pp. 16-22 Ginette Vincendeau, “Sisters, Sex and Sitcom”, Sight & Sound11, no. 12, December 2001, pp. 18-20 Linda Williams, “Cinema and the Sex Act”, Cineaste27, no. 1, Winter 2001, pp. 20-26 Linda Williams, Hardcor...
Hell’s Angels: An Interview with Catherine Breillat on Anatomy of Hellby Kevin Murphy When Violence is an Axe and Romance is Dark: An Interview with Catherine Breillatby Gabrielle Murray
Emphasis on Climax: Catherine Breillat’s A Ma Soeur! by José Sarmiento-Hinojosa A Real Young Girl: Catherine Breillat’s Adolescent Wonderlandby Maria San Filippo The Devious Conflict: Love and Sex Dissected in Catherine Breillat’s Romance (1999)by Joanna Di Mattia Anatomy of Hell: A Feminist Fairy Taleby Gwendolyn Audrey Foster Une Veille Maitresse...
Compiled by author and Albert Fung ABC Radio National Interview on Romance. A Quick Chat with Catherine Breillat Interview. Catherine Breillat A German site on Breillat. Ecran Noir French interview on Romance. The European Graduate School Breillat is a professor of auteur cinema. This page has a list of resources on Breillat. Global Gallery French ...
Jan 19, 2024 · “Education despises women and teaches women to despise themselves,” replied Breillat. I saw myself in Alice Bonnard’s disgust and saw the potential for virtue there. When I floated the quest for purity as a recurring motif in all her films, Breillat beamed: “Absolutely yes!”
- Savina Petkova
Female Auteurship in the Cinema of Catherine Breillat Over the last few years, the films of Catherine Breillat have run the gauntlet of critical reac-tion, from condemnation as pornography dressed up as art cinema, to acclaim for the audacity required and displayed by her uncom-promising depictions of sex acts and female sexuality.
What Women Want, Per Catherine Breillat. Lori Marso. 2024, Los Angeles Review of Books. See Full PDF Download PDF. See Full PDF Download PDF. Related Papers.
Through film, she attempts to redefine the female narrative in cinema by showing female characters who undergo similar experiences as their male counterparts. Many of Breillat's films explore the transition between girlhood and adulthood.
Feb 8, 2005 · The narrative set-up is both familiar and unique in the Breillat lexicon: an unnamed woman (Amira Casar) searching for her sexual identity becomes embroiled with an unnamed, misogynistic man (Italian porn-star, Rocco Siffredi), striking a contractual deal with him and igniting a psychosexual relationship that proves revelatory, volatile and ...
