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      • The first and fifth scale degrees, Sa and Pa, are unalterable. The other five scale degrees can be altered from their natural position. When Re, Ga, Dha and Ni are lowered by a semitone they are called komal.
      music.arts.uci.edu/abauer/6.2/readings/Raga_Guide_Yaman.pdf
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  2. In Hindustani (North Indian) classical music, an octave is called saptak and has seven notes called swara. These notes are sa, re, ga, ma, pa, dha, ni (similar to the Western do re mi fa so la ti). The first and fifth notes (sa and pa) have only one variant.

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      You would not typically find ga being used in straight...

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  3. Jan 11, 2015 · Sa Re Ga Ma Pa Dha Ni and Do Re Mi Fa So La Ti remain constant. Every musical instrument can be tuned to a certain scale. With the above example, we would be playing Sa at C scale. Following video tutorial will help you understand this concept with more clarity:

  4. Indian Classical Music is the proud representative of the most complicated and complete musical system in history. This form of music also seperates the octave into 12 semitones. The seven basic notes are SA, RE, GA, MA, PA, DHA and NI, which replace DO, RE, MI, FA, SOL, LA and SI.

  5. I think Sa Re Ga Ma Pa Dha Ni Sa is not corresponding to the C D E F G but to the moveale Do Re Mi. yes it is: These seven swaras are shortened to Sa, Ri (Carnatic) or Re (Hindustani), Ga, Ma, Pa, Dha, and Ni.

  6. Dec 24, 2021 · The seven swara in Indian music are the equivalents of the Western do re mi fa so la ti. In Indian music, they are called sa re ga ma pa dha ni. Of the above, sa and pa are given special status as fixed notes in an octave and have only one variant each; re, ga, dha, and ni have natural and flat variants; and ma has natural and sharp variants.

  7. Indian classical music has seven basic notes, Sa Re Ga Ma Pa Dha Ni, with five interspersed half-notes, resulting in a 12-note scale. The Natya Shastra is an ancient Indian treatise on the performing arts, encompassing theatre, dance and music.

  8. In Hindustani (North Indian) classical music, the most common way to classify a raga is under ten parent scales (called thaat). A thaat is no more than a seven-note scale including one each of the seven notes sa re ga ma pa dha ni (the Indian equivalents of do re mi fa so la ti).