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    • How Anjali Menon went from successful writer to director of ...
      • Anjali had proved that she could write a commercial film, but could she direct one? In the eyes of producers, she was the writer of Ustad Hotel and the director of Manjadikuru. But she thought of herself, foremost, as a director. Someone who would write to direct.
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  2. en.wikipedia.org › wiki › Anjali_MenonAnjali Menon - Wikipedia

    Anjali Menon is an Indian film director and screenwriter who predominantly works in Malayalam cinema. [ 2 ] . Anjali has won international, national and state awards for her work and is best known for her feature films Manjadikuru,[ 3 ] Kerala Cafe (Happy Journey), Ustad Hotel, Bangalore Days, Koode and Wonder Women.

  3. May 30, 2024 · My first commercial film as director. Having worked together on Kerala Cafe and Ustad Hotel we had enough faith to jump off this bridge together. In between feeding and changing diapers and travelling and cooking, I was writing this script.

  4. May 31, 2024 · On the film's anniversary, Anjali Menon took to her official blog to pen a heartfelt note on working in the film and her experience of becoming a commercial film director. Read on to know more. Authored by : Raisa Nasreen

  5. Jul 11, 2018 · Director and writer Anjali Menon is best known for her work on the acclaimed Bangalore Days and Ustad Hotel. Ahead of the release of her next film, Koode, she spoke to us about what drew her to to the project and why it has minimal dialogues:

  6. Jan 18, 2021 · Among the many filmmakers (21 in total) whose works have entered Film Bazaar 2021's Co-Production Market, the name of Malayalam film director Anjali Menon stands apart. For one, she is already an experienced filmmaker with many hits in her career like Bangalore Days and Koode.

  7. Jun 8, 2019 · Despite being her second feature, for writer-director Menon, Bangalore Days was the film that put her on the map, as it went on to become one of the highest grossing Malayalam films of all time, with a glowing reception from critics and audiences alike.