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  1. Sekhar Kammula (born 4 February 1972) is an Indian film director, screenwriter and producer who works in Telugu cinema. [3] [4] He has garnered two Filmfare Awards South, and six state Nandi Awards for his directional works. [5] Sekhar Kammula was among the director's delegation to represent South Indian Cinema at the 2011 Cannes Film Festival. [6]

  2. Sep 16, 2021 · What Makes Sekhar Kammula Unique In Telugu Cinema. He accommodates as many perspectives as possible while letting them collide and contradict one another. It’s what makes him unique and important in the often simplistic and homogenous landscape of Telugu cinema. Sankeertana Varma. Updated on: 16 Sep 2021, 10:50 am.

  3. Sekhar Kammula was born on 4 February 1972 in Hyderabad, Andhra Pradesh, India. He is a writer and director, known for Happy Days (2007), Anand (2004) and Love Story (2021). He is married to Srividya Kammula.

    • January 1, 1
    • Writer, Director, Producer
    • Hyderabad, Andhra Pradesh, India
    • Sekhar Kammula
  4. Sep 27, 2021 · But Kammula gets the hang of what it truly means to flesh out relatable female characters, because he does not attempt to deify "strong women". Rather, their resilience, maturity, and even flaws are normalised through feminist allies, who are a staple presence in his films.

  5. Sekhar Kammula is an Indian film director, screenwriter, actor, and producer, known for his works exclusively in Telugu cinema. As a Master of Fine Arts holder from Howard University, he made his directorial debut with the independent film Dollar Dreams (2000), which was a critical success, and won him the National Film Award for Best First ...

  6. Sep 27, 2021 · Sankeerthana retraces Sekhar Kammula’s filmography of 9 films in which ‘Love Story’ sits right at the centre.

  7. Sep 20, 2021 · Director Sekhar Kammula is excited about the theatrical release of Love Story. His last film Fidaa was released four years ago. Starring Naga Chaitanya and Sai Pallavi, Love Story captures the discrimination on the grounds of caste and gender.