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Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles. In 2015, he made his most recent debuts as Macbeth at the Berlin State Opera, Don Carlo in Ernani at the Metropolitan Opera, and Gianni Schicchi at the Los Angeles ...
m. José Plácido Domingo Embil[ a ] (born 21 January 1941) [ 1 ] is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world.
Biography. Plácido Domingo was born in Madrid, and grew up in Mexico. After studying the piano, he turned to singing, in firstly the baritone, then the tenor repertoire. After being discovered at New York City Opera in 1965, he began an international career that took him to the top houses alongside the most illustrious stars in opera. He sang ...
Oct 8, 2024 · Ask the Chatbot a Question. Plácido Domingo (born January 21, 1941, Madrid, Spain) is a Spanish-born singer, conductor, and opera administrator whose resonant, powerful tenor voice, imposing physical stature, good looks, and dramatic ability made him one of the most popular tenors of his time. Domingo’s parents were noted performers in ...
- The Editors of Encyclopaedia Britannica
Domingo currently continues to add more operas to his repertoire. Since 2009, he has moved substantially into the baritone repertoire, especially focusing on Verdi baritone roles . Tim Page , a Pulitzer Prize -winner for music criticism, described Domingo in a 1996 Washington Post article as “the most versatile, intelligent and altogether accomplished operatic tenor now before the public.”
Operabase has documented operatic activity worldwide since 1996, with over 800,000 performances on file. It records the work of artists in over 3000 theatres, and publishes season information to opera-goers in 34 languages.
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Nov 25, 2018 · Nov. 25, 2018. The review in The New York Times said that the young tenor “again and again lifted the performance out of the depths of fatuity into which it relentlessly lapsed.”. It was the ...
