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  2. Silvestri has composed the scores for four Marvel Cinematic Universe films: Captain America: The First Avenger (2011), The Avengers (2012), Avengers: Infinity War (2018), and Avengers: Endgame (2019).

  3. Alan Silvestri. Composer: The Polar Express. In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over.

    • January 1, 1
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    • New York City, New York, USA
  4. Romancing the Stone (1984) In his ongoing, decades-long career as a composer, Alan Silvestri has scored some of the most iconically revered and profitable films in Hollywood history,...

  5. Alan Anthony Silvestri is an American composer and conductor known for his film and television scores. Silvestri is known for scoring MCU's Captain America: The First Avenger, The Avengers, Avengers: Infinity War, and Avengers: Endgame.

    • Musicnotes
    • Back to the Future’ Perhaps one of the most iconic scores on Alan Silvestri’s resume is that of 1985’s Back to the Future. This was one of many collaborations between Silvestri and film director Robert Zemeckis.
    • Romancing the Stone’ 1984’s Romancing the Stone marked the first collaboration between Alan Silvestri and Robert Zemeckis. This film was a combination of action-adventure and romantic comedy.
    • Who Framed Roger Rabbit’ Who Framed Roger Rabbit may be best remembered for its combination of live-action and animation. This 1988 film’s plot surrounded the titular cartoon character being framed for murder.
    • Forrest Gump’ Forrest Gump was a 1994 epic comedy-drama film directed by Robert Zemeckis that starred Tom Hanks in the titular role. The film was enormously successful, grossing over $670 million globally during its theatrical run.
  6. Nov 28, 2023 · Listen and learn about the best film scores composed by Oscar nominee Alan Silvestri.

  7. Jun 14, 2024 · In “Predator,” Silvestri composed a tense and suspenseful score that perfectly matches the film’s intense atmosphere. Silvestri utilizes a minimalist approach, employing sparse percussion and ominous orchestral hits to create a sense of constant tension.