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- With a career that spanned an unparalleled 5 decades, he composed more than 150 original movie scores and nearly 80 for television, creating some of the most recognizable and memorable themes in Hollywood history: the driving jazz of The Man With the Golden Arm, the rousing Western anthem of The Magnificent Seven, the lyrical and quietly moving music of To Kill a Mockingbird, and the jaunty, thumb-nosing march of The Great Escape.
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Elmer Bernstein (/ ˈ b ɜːr n s t iː n / BURN-steen; April 4, 1922 – August 18, 2004) [1] [2] was an American composer and conductor. In a career that spanned over five decades, he composed "some of the most recognizable and memorable themes in Hollywood history", including over 150 original film scores , as well as scores for nearly 80 ...
Feb 16, 2024 · Beyond the Western Frontier: But Bernstein was far from a one-genre composer. He brought a profound tenderness and innocence to “To Kill a Mockingbird” (1962), using harp and flute to create a score that mirrored the film’s exploration of childhood and racial injustice. To Kill a Mockingbird – Boo Who? & End Title by Elmer Bernstein.
Aug 14, 2024 · Elmer Bernstein was an American film composer who created the scores for more than 200 motion pictures during a career that spanned half a century and produced some of Hollywood’s most memorable film music.
- The Editors of Encyclopaedia Britannica
Elmer Bernstein was more than a composer—he was an explorer—always intrigued by the potential of creative collaborations and applying his musical dexterity to different media. Trips to Broadway earned him Tony nominations for best musical score in 1967 for How Now Dow Jones and in 1983 for Merlin.
Oct 9, 2002 · The career of the Oscar-winning composer Elmer Bernstein spans seven decades and stretches from his classic scores for The Magnificent Seven, The Man With the Golden Arm and To Kill a Mockingbird to his recent work on Scorsese’s Gangs of New York.
How the composer created one unique score after another—yet maintained a personal style. Following Alex North’s landmark 1951 score for A Streetcar Named Desire, a handful of composers made their mark by exploring the possibilities of writing traditional film music within the jazz idiom.
A Hollywood Mega-Composer for almost fifty years, Elmer Bernstein is one of the top film composers working today. With thirteen Academy Award Nominations (and one win), his music is known by millions all over the world.
