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- The two English authors started off using Arran Leigh (Bradley) and Isla Leigh (Cooper) to publish Bellerophôn, their first full-length play, but switched to Michael Field when they realized fame and success weren’t forthcoming under those feminine aliases. Victorian women writers frequently used male pen names to conceal their true identities.
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Michael Field was a pseudonym used for the poetry and verse drama of the English authors Katherine Harris Bradley (27 October 1846 – 26 September 1914) and her niece and ward Edith Emma Cooper (12 January 1862 – 13 December 1913).
Jan 27, 2010 · Before creating the avatar of Michael Field in 1884, Bradley and Cooper had published a collection of poems that included an Ancient Greek–themed poetic drama, Bellerophôn, under the pseudonyms Arran and Isla Leigh. Bradley and Cooper attributed that book’s lack of success to the negative implications suggested by their collaborative moniker.
Michael Field was the pseudonym of English poets Katherine Harris Bradley and Edith Emma Cooper, who was Bradley’s niece, ward, and lover. Together, they authored multiple books of poetry and verse drama, including Callirrhoë: Fair Rosamund (G. Bell and Sons, 1884), Sight and Song (E. Mathews and J. Lane, 1892), and Work and Days (J. Murray ...
Oct 25, 2018 · “Michael Field” is the pseudonym shared by the writers, aunt and niece, and likely lovers Katharine Bradley (b. 1846) and Edith Cooper (b. 1862). Bradley was the first to publish poetry, as “Arran Leigh,” in 1875, but in 1881 she and Cooper published the play Bellerophôn , using the joint sobriquet “Arran and Isla Leigh.”
‘Michael Field’ (1884–1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as lovers. The large oeuvre contains poems, dramas and a vast diary.
Many critics feel that the Michael Field pseudonym, along with masking their gender, allowed them to explore the intensity of their connection to one another. Much of Field’s verse, such as the collections Long Ago (1889) and Sight and Song (1892), deals quite openly with feminine sexuality and erotic love between women.
