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After the war, Ossessione encountered more problems with mass distribution, both because Visconti had never obtained the rights to adapt Cain's novel as a result of the wartime production schedule and because Metro-Goldwyn Mayer produced an adaptation directed by Tay Garnett while the Fascist
In this context, Ossessione faced great distribution and exhibition obstacles, with the Fascists at one point even cutting and destroying prints of the film. (Visconti wisely squirrelled a version away himself, and thus the film survived 12).
Mar 11, 2019 · With its pointed indictment of fascism as a typically Italian phenomenon, how could Ossessione be taken seriously in a nation that, after almost three years of civil war, was keen to forget the past and promptly return to normal life? Given the heterosexual dogmatism of both the Communist and Christian Democratic Parties, how could anyone take ...
Sep 8, 2019 · Ossessione has been widely credited as a major precursor of Neorealist filmmaking, although it neither denounced the horror of the Second World War nor celebrated the heroism of the Resistance fighters during the Nazi occupation of Italy.
whether Ossessione is indeed a neorealist film or merely a harbinger of what was to emerge on the Italian culturallandscape immediately after the Second World War. Yet rather than assess Visconti' s first film retrospectively, as simply a part in the overall trajectory of his oeuvre, the first part of the present essay will seek to trace his
The work showed a microcosm of the struggle to survive the snares of man’s own desires. With no more enemies left to fight, and only ruins to live amongst - what are idle hands meant to do? “Ossessione” is an adaption of noir novel classic “The Postman Always Rings Twice.”
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Why did Ossessione struggle with mass distribution after the war?
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overt political message or reference to the war and Fascism, history - personal and national - is the haunting obsession in Visconti's movie. Ossessione is an ambiguous mixture of old and new.
