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  2. Savinien de Cyrano de Bergerac (/ ˌsɪrənoʊ də ˈbɜːrʒəræk, - ˈbɛər -/ SIRR-ə-noh də BUR-zhə-rak, – BAIR-, French: [savinjɛ̃ d (ə) siʁano d (ə) bɛʁʒəʁak]; 6 [note 1] March 1619 – 28 July 1655) was a French novelist, playwright, epistolarian, and duelist.

  3. Sep 21, 2024 · Cyrano de Bergerac, verse drama in five acts by Edmond Rostand, performed in 1897 and published the following year. It was based only nominally on the 17th-century nobleman of the same name, known for his bold adventures and large nose.

    • The Editors of Encyclopaedia Britannica
  4. Aug 12, 2024 · Savinien de Cyrano de Bergerac (born March 6, 1619, Paris, France—died July 28, 1655, Sannois) was a French satirist and dramatist whose works combining political satire and science-fantasy inspired a number of later writers.

    • The Editors of Encyclopaedia Britannica
  5. 1970 Anthony Burgess wrote a new translation and adaptation of Cyrano de Bergerac, which had its world premiere at the Guthrie Theater in Minneapolis. Paul Hecht was Cyrano. Also in the cast were Len Cariou as Christian, and Roberta Maxwell as Roxane.

    • Edmond Rostand
    • 1897
  6. In Paris, in the year 1640, a brilliant poet and swordsman named Cyrano de Bergerac finds himself deeply in love with his beautiful, intellectual cousin Roxane. Despite Cyrano’s brilliance and charisma, a shockingly large nose afflicts his appearance, and he considers himself too ugly even to risk telling Roxane his feelings.

    • Edmond Rostand
    • 1897
  7. Cyrano de Bergerac, a play by Edmond Rostand, is a classic work of French literature first performed in 1897. The play is a fictionalized account of the life of the real Cyrano de Bergerac, a 17th-century French playwright and duelist.

  8. The real Cyrano de Bergerac is a novelist and playwright who lived from 1619 to 1655, around the same time as the fictional Cyrano. The real Cyrano probably inspired the idea for Rostand’s protagonist, but the play’s events, as well as its other characters, are solely the product of Rostand’s imagination.