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  2. Moving Gelatine Plates is a French progressive rock band first formed in 1968 by Gérard Bertram (guitarist) and Didier Thibault (bassist and band leader), who met in 1966 as 14-year-old schoolmates. [1]

  3. Moving Gelatine Plates were one of the European bands playing Canterbury-style progressive rock under the influence of Soft Machine and Caravan. When the two bands put out their first and second albums in the late sixties and early seventies, they did not enjoy much success in their motherland.

  4. Dec 20, 2020 · December 20, 2020. Moving Gelatine Plates was a French progressive rock band first formed in 1968. They are considered as one of France’s finest progressive rock bands. The band was formed by band leader Didier Thibault (bass) and Gérard Bertram (guitar).

    • Who were Moving Gelatine Plates?1
    • Who were Moving Gelatine Plates?2
    • Who were Moving Gelatine Plates?3
    • Who were Moving Gelatine Plates?4
    • Who were Moving Gelatine Plates?5
  5. Moving Gelatine Plates. French progressive rock and fusion band from the early 1970's. They were strongly influenced by Canterbury bands like Soft Machine and Caravan, and are often compared to the Dutch band Supersister. Later the band shortened the name to Moving (due to contractual ties) and released a third album.

  6. Jan 1, 2018 · The Moving Gelatine Plates were a French jazz-rock band that released the 1971/72 albums Moving Gelatine Plates and The World of Genius Hans on CBS. A partial regrouping as Moving yielded a further album in 1980.

  7. MOVING GELATINE PLATES was a short-lived band formed by Gérard Bertram (guitarist) and Didier Thibault (bassist) who met in 1966 when they were both wee teenagers at 14 years of age in school. These guys had a huge interest in the jazz-fusion scene that was blossoming in the late 60s and were especially influenced by Soft Machine and Caravan.

  8. Jun 23, 2008 · Being one of the most relevant bands in the seminal age of French prog, Moving Gelatine Plates was a peculiar musical force influenced by "Third"-era Soft Machine and Supersister, in this way anticipating (to a certain degree) the kind of sophisticated folly that Gong will turn into an essential part of its signature sound.