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- Schlegel’s work on the grammatical connections between Sanskrit and the Indo-European languages, published as On the Language and Wisdom of the Indians (Über die Sprache und Weisheit der Indier, 1808), represents an important moment in the development of the study of comparative grammar (a term which Schlegel himself coined in the text).
plato.sydney.edu.au/entries/schlegel/
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Karl Wilhelm Friedrich (after 1814: von) Schlegel (/ ˈʃleɪɡəl / SHLAY-gəl; [ 7 ]German: [ˈfʁiːdʁɪç ˈʃleːɡl̩]; 10 March 1772 – 12 January 1829) was a German poet, literary critic, philosopher, philologist, and Indologist. With his older brother, August Wilhelm Schlegel, he was one of the main figures of Jena Romanticism.
Friedrich von Schlegel (born March 10, 1772, Hannover, Hanover—died Jan. 12, 1829, Dresden, Saxony) was a German writer and critic, originator of many of the philosophical ideas that inspired the early German Romantic movement.
- The Editors of Encyclopaedia Britannica
Jan 14, 2010 · Thus, either directly or indirectly, Schlegel was referring to authors such as Condillac, Hemsterhuys, Karl Phillip Moritz, August Ferdinand Bernhardi, Fichte, Herder, and Rousseau.
August Wilhelm (after 1812: von) Schlegel (/ ˈʃleɪɡəl / SHLAY-gəl; [2] German: [aʊˈɡʊst ˈʃleːɡl̩]; 8 September 1767 – 12 May 1845), usually cited as August Schlegel, was a German Indologist, poet, translator and critic, and with his brother Friedrich Schlegel the leading influence within Jena Romanticism.
Friedrich Schlegel (1772–1829) is of undisputed importance as a literary critic, but interest in his work among philosophers has until recently tended to be confined to a rather limited circle.
Sophi: Friedrich Schlegel was a prominent German philosopher, critic, and poet, largely recognized for his significant contributions to the Romantic movement in the late 18th and early 19th centuries. Born on March 10, 1772, in Hanover, Germany, Schlegel played a key role in shaping the philosophical and literary landscape of his time.
Aug 21, 2006 · Schlegel is referring to the conception of the world he discerns in Goethe's Wilhelm Meister's Apprenticeship – a novel which, at this time, he finds paradigmatic of the romantic and so, too, of the enchanting.
