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Hello, Love, Goodbye is a 2019 Philippine romantic drama film directed by Cathy Garcia-Molina and produced by Carlo L. Katigbak and Olivia M. Lamasan from a story and screenplay written by Carmi G. Raymundo, with Rona Co, Crystal S. San Miguel, and Garcia-Molina co-writing the latter.
- What I Liked About It
- What I Didn’T Like About It
- So Should You Watch It?
Kathryn Bernardo and Alden Richards have great on-screen chemistry that will make you want to see more of them together.
As they say, you can’t fake chemistry–and Hello, Love, Goodbye works so well because its lead stars have plenty of it. Both Kathryn and Alden are capable actors, and in this film, they bounce off each other with such ease and skill. It was a great choice to cast them both since they’ve never met prior to do this movie and they seemed to have been hungry for a project of this caliber. In a way, they both brought out the best in each other’s acting, and it really translates on screen. There’s n...
The entire cast is great.
Whoever the casting director is needs to be commended. There is not one role here that should have went to another actor. Every single person fit their character and portrayed them to the T, just like Lovely Abella as the loudmouth bombshell friend Gina, Kakai Bautista as the nagging street smart Sally and the designated “tita” of the group, and then there’s Maymay Entrata who plays Joy’s probinsyana cousin Mary Dale. Not to mention, you’ve got Ethan’s friends played by Joross Gamboa as Jim,...
The script is beautifully written and the story is so well-rounded.
It’s rare to find a film like this that’s both as dramatic and delicate as it is funny. There are so many instances where I was laughing more than I thought I would because the jokes and punchlines were timed and dropped so well. There were even intentionally corny hugotlines, but done with clever context. There’s no shortage of wits here. Having said that, what also surprised me was how grounded the dialogue was. It’s probably a combination of how the lines were delivered and the actual scri...
They could have done away with the couple montages.
I’m sure you’re familiar with those scenes in Pinoy films–imagine the lead characters frolicking in a beautiful location, and there’s this catchy song by a hit singer playing in the background. There’s still a bit of that in Hello, Love, Goodbye. It’s essentially unnecessary, but I also know it’s strategically placed in there because people get a kick out of it. In all honesty, though, the movie didn’t need it.
Definitely, yes! Coming from a romantic movie cynic, Hello, Love, Goodbye was a pleasant surprise that I thoroughly enjoyed from start to finish. I expected some corny scenes and one-liners, but there weren't any–the story, in fact, is quite an original. Overall, it’s a great film with a universal message about love and life. You’ll exit the cinema...
Carmi Raymundo. Cathy Garcia-Sampana. Rona Co. A bartender and a domestic helper of Filipino origin living in Hong Kong find themselves falling in love, but they each have different plans for their future.
Hello, Love, Goodbye: Directed by Cathy Garcia-Sampana. With Kathryn Bernardo, Alden Richards, Maymay Entrata, Maricel Laxa. A bartender romances a domestic helper despite the fact that she is moving to Canada.
- (1.4K)
- Drama, Romance
- Cathy Garcia-Sampana
- 2019-08-09
Meet the talented cast and crew behind 'Hello, Love, Goodbye' on Moviefone. Explore detailed bios, filmographies, and the creative team's insights.
Sep 3, 2019 · Hello, Love, Goodbye stars two of the Philippines’ biggest names from the two of the biggest “loveteams”—Kathryn Bernardo (from KathNiel) and Alden Richards (from AlDub). What’s also surprising is that Bernado and Richards are from rival television networks; in the Philippines, it’s common for actors to be signed to one network exclusively.
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Aug 3, 2019 · This film is a lighter and more kilig version of Anak, focusing more on the love that blossoms between Joy (Kathryn) and Ethan (Alden). The movie, which was written by the talented Carmi Raymundo and directed by the great Cathy Garcia-Molina, was exquisitely sewn together.
