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American modernist artist
- Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms.
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Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms. In addition to her three-dimensional work, Asawa created an extensive body of works on paper, including abstract and figurative drawings and prints influenced by ...
Nov 3, 2023 · The eminent 20th-century artist Ruth Asawa is best known for her airy looped-wire sculptures (featured on a set of U.S. Postal Service stamps released in 2020). Less commonly exhibited is her...
- Claire Selvin
Aug 2, 2024 · Ruth Asawa (born January 24, 1926, Norwalk, California, U.S.—died August 6, 2013, San Francisco) was an American artist known for her abstract wire sculptures, many of which were displayed suspended as mobiles. She later turned to large public projects and community activism.
- The Editors of Encyclopaedia Britannica
Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms. In addition to her three-dimensional work, Asawa created an extensive body of works on paper, including abstract and figurative drawings and prints influenced by ...
Ruth Asawa, American (1926-2013). American sculptor nationally recognized for her wire sculpture, public commissions, and her activism in education and the arts. Skip to content
Jul 20, 2020 · True Believers. The Japanese-American Sculptor Who, Despite Persecution, Made Her Mark. Seven years after her death, Ruth Asawa is finally being recognized as an American master. What can we...
Aug 17, 2013 · Ruth Asawa, an artist who learned to draw in an internment camp for Japanese-Americans during World War II and later earned renown weaving wire into intricate, flowing, fanciful abstract...
