![My Sister's Keeper [Original Motion Picture Score]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "My Sister's Keeper [Original Motion Picture Score]")
2009
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Aaron Zigman (born January 6, 1963) is a classically-trained American composer, producer, arranger, songwriter, and musician who has scored music for films including The Notebook, The Company Men, Bridge to Terabithia, John Q.
A composer, songwriter, orchestrator and creative mind, Aaron Zigman has inspired and entertained millions the world over. Not only is he a powerhouse in the music and film industries, as a classically trained pianist since the age of six and having mastered the art of orchestration, he also has written concert music performed by the most ...
Composer. Music Department. Actor. IMDbPro Starmeter See rank. Award-winning film + TV composer Aaron Zigman has composed over 60 film scores for many of Hollywood's major studios and directors.
- January 1, 1
- Composer, Music Department, Actor
- San Diego, California, USA
- Aaron Zigman
Overview. Born. January 6, 1963 · San Diego, California, USA. Mini Bio. Award-winning film + TV composer Aaron Zigman has composed over 60 film scores for many of Hollywood's major studios and directors.
- January 6, 1963
Aaron Zigman (born January 6, 1963) is a classically-trained American composer, producer, arranger, songwriter, and musician who has scored music for films including The Notebook, The Company Men, Bridge to Terabithia, John Q., The Proposal, Flicka, For Colored Girls, Flash of Genius, Sex & the City, Alpha Dog, and Escape from Planet Earth.
Feb 2, 2007 · Composer Aaron Zigman is becoming a quickly rising star in the film music community. Since his first feature film in 2002, Nick Cassavetes\' John Q, he\'s written almost every kind of score possible, from restrained romanticism (The Notebook) to urban dance (Step Up).
Mar 1, 2024 · NEW YORK (AP) — Aaron Zigman goes back to the 1940s in composing “Émigré,” an oratorio portraying Jews who fled Nazi Germany for Shanghai. His 90-minute, two-act work, given its U.S. premiere by the New York Philharmonic on Thursday night, evokes a World War II-era sound reminiscent of Richard Rodgers and Oscar Hammerstein II.
