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Married in 1977, they began working together on drawings, installations, and performances, with Coosje's name being included on their work from 1981. Van Bruggen referenced Italo Calvino's 'field of analogies, symmetries, confrontations' to describe their practice as 'a unity of opposites' 2 .
Mar 26, 2021 · Across the four-decade history of their collaboration, Claes Oldenburg and Coosje van Bruggen produced more than forty monumental sculptures and site-specific installations, which they referred to as “Large-Scale Projects.”
Jan 13, 2009 · Coosje van Bruggen -- an art historian, writer and curator whose professional partnership with her husband, artist Claes Oldenburg, turned ordinary objects into startling monuments around the...
Jan 13, 2009 · Her first work with Oldenburg came in 1976, when she helped him install his forty-one-foot Trowel I on the grounds of the Kröller-Müller Museum in Otterlo. Van Bruggen, who became a US citizen in 1993, continued to work independently throughout her career.
She began working with her new husband, sculptor Claes Oldenburg, in 1976. Her first work with Oldenburg came when she helped him install his 41-foot Trowel I on the grounds of the Kröller-Müller Museum in Otterlo. [2]
Oct 7, 2022 · The pair met in 1971, when Coosje was a young curator at the Stedelijk Museum in Amsterdam, and Claes was a subversive and prominent force in Pop Art. They married six years later and Coosje soon turned from interlocutor into fully fledged artist and collaborator in her own right.
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In 1984, the duo expanded their practice into performance with Il Corso del Coltello (The Course of the Knife). Conceived for the 41st Venice Biennale that year, it culminated in Knife Ship I (1985), a giant Swiss army knife that doubled as a fully functioning ship floating in the Venetian Arsenal.
