Search results
Ahmed I (Ottoman Turkish: احمد اول Aḥmed-i evvel; Turkish: I. Ahmed; 18 April 1590 – 22 November 1617) was the sultan of the Ottoman Empire from 1603 to 1617. . Ahmed's reign is noteworthy for marking the first breach in the Ottoman tradition of royal fratricide; henceforth, Ottoman rulers would no longer systematically execute their brothers upon accession to the thro
Childhood & Early Life. Ahmed I was born on April 18, 1590, in Manisa, Ottoman Empire, to Prince Sehzade Mehmed and his wife Handan Sultan. When Ahmed was born, his father was the governor of the Sanjak division in Manisa while his grandfather Murad III was on the throne. In the Ottoman Empire, the fratricide culture was at its peak at the time.
Ahmed I (born April 18, 1590, Manisa, Ottoman Empire [now in Turkey]—died November 22, 1617) was an Ottoman sultan from 1603 to 1617, whose authority was weakened by wars, rebellions, and misrule. The rebellions he was able to suppress; he executed some of the viziers and exiled many palace dignitaries for bribery and intrigue, and he introduced a new regulation for the improvement of land administration.
- The Editors of Encyclopaedia Britannica
- A Young Sultan
- A Symbolic Location
- The Interior
- Tilework and Stained Glass
- Legacy
Imagine yourself as a young sultanin charge of an empire spanning parts of three continents—Asia, Europe, and Africa—your ancestors brought together through conquests. You are 13 years old and are enthroned in the capital city, Istanbul. You are confronted with the legacy of great rulers before you such as Suleiman the Magnificent and Mehmet the Co...
The mosque’s site is politically charged. Unlike other Ottoman imperial mosques, which were placed farther away from the city center to encourage urban development and to take advantage of Istanbul’s hilly topography, the Sultan Ahmet mosque is nestled in between the Hagia Sophia and the Byzantine Hippodrome near the Ottoman royal residence, Topkap...
The prayer hall itself is punctuated with several architectural features including the sultan’s platform and an arcaded gallery running along the interior walls except on the qibla wall facing Mecca. A carved marble niche set into the center of this wall guides the faithful to the correct direction for prayer. To its right is a tall and thin marble...
Upper sections of the mosque are painted in geometric bands and organic medallions of bright reds and blues, but much of this is not original. Rather, the careful choreography of more than 20,000 Iznik tiles rise from the mid-sections of the mosque and dazzle the visitor with their brilliant blue, green, and turquoise hues, and lend the mosque its ...
The Sultan Ahmet Mosque is particularly remarkable in that it was conceived and built during a time of relative decline. In the past, grand mosques were constructed as markers of prosperity and political strength. Even though Ahmet I showed promise when he first assumed the throne, he is now seen as a weak and incompetent sultan. A few short years ...
Known for having six minarets (rather than the standard four) and for its many domes and semidomes, the building became known as the Blue Mosque for the color of its interior, but it is in fact properly known as the Sultan Ahmed Mosque—named after Sultan Ahmed I, who ordered its construction.
1985 (9th Session) Website. Official website. The Blue Mosque in Istanbul, also known by its official name, the Sultan Ahmed Mosque (Turkish: Sultan Ahmet Camii), is an Ottoman-era historical imperial mosque located in Istanbul, Turkey. It was constructed between 1609 and 1617 during the rule of Ahmed I and remains a functioning mosque today.
People also ask
Why was Ahmed I a Sultan of the Ottoman Empire?
What was Sultan Ahmed known for?
Why was Ahmed a great king in the Ottoman dynasty?
How did Sultan Ahmed I Die?
Jul 24, 2023 · In summary, the Sultan Ahmed Mosque, fondly known as the Blue Mosque, is a symbol of the intricate and complex history of Istanbul, a city where East meets West. This masterpiece of Ottoman architecture, with its blend of traditional Islamic and Byzantine elements, showcases the aesthetic grandeur of an epoch and stands as a testament to the aspirations of a young Sultan.
