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May 11, 2020 · That book exhibited part of what makes Manalo’s poetry so distinctive: its pitch-perfect balancing act of formal poetic craftsmanship and its brazen popular phraseology.
Paolo Manalo is a Filipino poet who teaches at the College of Arts and Letters, University of the Philippines. For a time he served as the literary editor of the Philippines Free Press . Jolography , his first book of poems, [ 1 ] received the 1st prize in poetry from the 2002 Palanca Awards and the 2004 U.P. Gawad Chancellor Para sa Natatanging Likha ng Sining (Outstanding Literary Work).
We can find the repetitions in the actual poem as Manalo applied Wittgenstein’s concept of “language games” that may define multiple forms of lives (73). In addition, in terms of the poems form, space acts as a great mediator for silence so that readers can think of the poem’s message and this leads to the next part of analysis.
May 11, 2020 · That is the question that confronts you when approaching Paolo Manalo’s new poetry collection, “Happily Ever Ek-ek: Poems” (Gacha Press, Manila, 2019, 120 pages). “Ek-ek,” of course, is Filipino slang for nonsense, a throwaway expression for things that do not matter, which clearly Manalo uses ironically in the title because it is ...
May 23, 2021 · Paolo Manalo (taken from Facebook.com) In addition, the author used literature to make a satirical criticism of these Filipinos. As implied by line 4, their incorporation of Tagalog accent or a few Tagalog words is meant to convey the message of remaining humble nationalism within them to others but it backfires since coño-ism is harder to ...
Jan 1, 2003 · Paolo Manalo. This collection of poetry is a testament to the fluidity and importance of language. The poet mixes Filipino expressions with his English poems, satirizing the way Filipinos garble the two languages and view such deviations from the standard. 91 pages, Paperback. First published January 1, 2003.
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Feb 8, 2009 · edit data. Filipino poet who teaches at the College of Arts and Letters, University of the Philippines-Diliman. Author of poetry collections Happily Ever Ek-ek (2019) and Jolography Retconned (2020), and the poetry pamphlets E is for Epal (2018) and Posthumous (2024). For a time he served as the literary editor of the Philippines Free Press.
