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  2. Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. [1] . Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues.

  3. A musical tour of Blue Note Records that traces the evolution of the label from Early Jazz thru Bebop, Hard Bop, Post-Bop, Soul Jazz, Avant-Garde, Fusion & into the vibrant sounds of now.

    • The Beginnings of Blue Note Records
    • The First Blue Note Record
    • Blue Note in The 1940s
    • The Arrival of Rudy Van Gelder
    • Blue Note in The 1960s
    • Blue Note in The 1970s
    • Blue Note in The 80s and Beyond
    • The Arrival of Don Was

    It all began when Alfred Lion went to the “Spirituals to Swing” concert at New York’s Carnegie Hall a few days before Christmas 1938. A week or so later he went to Café Society, a newly opened club, to talk to Albert Ammons and Meade Lux Lewis, who Lion had seen play at Carnegie Hall. He proposed the idea of recording them, assuring the two pianist...

    Friday, March 3, 1939, was the release date for the first two recordings on the label Lion and two fellow travellers decided to name Blue Note. On BN 1 were two slow blues tunes, “Melancholy” and “Solitude”: BN2 was two up-tempo numbers by Ammons, “Boogie Woogie Stomp” and “Boogie Woogie Blues.” With no real distribution in place, Lion offered the ...

    Two releases do not make a record label, and five weeks after their first two records came out Lion was back in the studio for Blue Note’s second session. Sidney Bechet, who Lion had briefly met in Berlin, was there and he recorded a version of George Gershwin’s “Summertime.” This was a pivotal moment in the history of the fledgling label as Bechet...

    On the last day of January 1953, there was a seismic shift in the recordings issued by the label. Tenor saxophonist Gil Melle had caught Lion’s interest by playing him four sides he had recorded at a studio in Hackensack, New Jersey. As a result, Lion agreed to release the records as singles and offered Melle a recording contract. The recording stu...

    For Alfred Lion, Blue Note Records was never about making his fortune. Like so many other pioneers in the music business, he did what he did because he loved the music. Granted, he found success and made money, but nothing like the kind of return achieved by others operating in a more mainstream field. Alfred, by his own admission, felt that there ...

    By 1970 Blue Note had gone through many changes, jazz, in general, was finding it tough. The “British Invasion” spearheaded by The Beatles may not have affected jazz directly but it was part of the heady mix that gave rise to alternative cultures and ideas. Those dubbed the “Woodstock Generation,” following the 1969 Festival did embrace some jazz a...

    In the early 80s, after a period of hiatus in which Blue Note lay dormant, the company was resurrected under new boss Bruce Lundvall. An experienced record company man, and most importantly for Blue Note a jazz lover, Lundvall set about making records that would sell. One of his earliest signings was Bobby McFerrin; Lundvall’s instincts were proved...

    By the second decade of the 21st century a man who admits, “I’ve spent all my life avoiding having a job, which is why I became a musician,” was invited to take up the newly created role of Chief Creative Officer at Blue Note. But this was no ordinary job and Don Was, musician, songwriter, and Grammy award-winning producer, was an inspired choice. ...

  4. May 25, 2024 · The Blue Note label, from the ’50s to the present day – the definitive guide for the audiophile record collector.

  5. Jul 26, 2019 · Herbie Hancock, Bobbi Humphrey, Cecil Taylor and more: Blue Note Records has been celebrating its eight-decade history this year.

  6. Feb 3, 2024 · Blue Note is an iconic jazz label, so we've put together a list of its greatest albums. Check out our picks from the label's catalogue here.

  7. Apr 30, 2019 · The narrative of Blue Note Records, the world’s most storied jazz label and the music’s most iconic brand, is a quintessentially American one—a tale of two German Jewish immigrants from Nazi-occupied Berlin, the childhood friends Alfred Lion and Francis Wolff, who changed American culture through sheer passion, ingenuity and perseverance.