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- The term “traditional jazz” (or “trad jazz”) is most often used to mean the various styles of New Orleans jazz and their outgrowths, encompassing styles sometimes called dixieland, classic jazz, hot jazz, Chicago style, San Francisco style, etc.
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Trad jazz, short for "traditional jazz", is a form of jazz in the United States and Britain that flourished from the 1930s to 1960s, [1] based on the earlier New Orleans Dixieland jazz style. Prominent trad jazz musicians such as Chris Barber, Freddy Randall, Acker Bilk, Kenny Ball, Ken Colyer and Monty Sunshine [1] performed a populist ...
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century.
You may also hear it referred to as "Traditional Jazz", or "Trad Jazz" or even "Trad" for short. Yet another designation for this music is "New Orleans-style" jazz. It's also been referred to as "Dixieland jazz." Jazz, America's original art form, began in New Orleans in the late 19th century.
Dixieland, in music, a style of jazz, often ascribed to jazz pioneers in New Orleans, but also descriptive of styles honed by slightly later Chicago-area musicians.
- The Editors of Encyclopaedia Britannica
- Louis Armstrong
- Sidney Bechet
- The Original Dixieland Jazz Band
- Bix Beiderbecke
- Jelly Roll Morton
- Kid Ory
- Jack Teagarden
- King Oliver
- Henry “Red” Allen
- The Preservation Hall Jazz Band
Louis Armstrong would later go on to become an all-round entertainer, best known for 1960s vocal hits like “Hello Dolly” and “What a Wonderful World”. But decades before that the trumpeter left his mark as one of the most stunning improvising soloists the jazz world has ever known. After growing up in New Orleans he relocated to Chicago where, in t...
Along with Louis Armstrong, Sidney Bechet was one of the first major jazz soloists and, like Armstrong, he was also a New Orleans native. After starting out on the clarinet, he discovered the soprano saxophonewhilst on tour in London, pioneering the use of the instrument in a jazz context. A virtuoso instrumentalist, he makes frequent use of intric...
The 1917 version of “Livery Stable Blues” by the Original Dixieland Jazz Band is generally considered to be the first ever jazz recording. This has been the subject of much discussion: it is worth noting that a group of white New Orleans natives were given the opportunity to document their music before a number of African American players who were ...
Cornetist Bix Beiderbecke was another hugely influential stylist of the 1920s, with an approach that makes for an interesting comparison with that of Louis Armstrong. While Armstrong’s playing was bold and bluesy, Bix was lyrical and somewhat introspective, largely sticking to the horn’s middle register. Louis, in contrast, was capable of heading u...
Never exactly the modest type, Jelly Roll Mortonfamously claimed to have been the inventor of jazz. That’s probably a bit of a stretch, but he was probably the first to write down and formally arrange the music, and he was certainly a pioneering stylist in the early days of New Orleans jazz. The pianist’s sound was informed by ragtime, a syncopated...
Kid Ory was one of the very first jazz trombonists, with one of his innovations being the development of the “tailgate” style, which saw him playing the lower harmonies below the trumpet and clarinet in the frontline of a traditional jazz band. His talent was first discovered by the New Orleans cornetist Buddy Bolden, a legendary figure who is cons...
The school of trombone playingpioneered by Kid Ory saw the instrument take a supporting role, playing in a rhythmic, punchy fashion below the other frontline instruments. Teagarden developed a more legato, soloistic way of playing, which put the trombone on more of an even footing with the trumpet. In the 1920s he played with Bix Beiderbecke, Louis...
Oliver’s place in jazz history is inextricably tied up with his role in the Louis Armstrong story. He was Armstrong’s mentor and teacher, first giving him his own newly-vacated chair in Kid Ory’s ensemble, then summoning Pops to Chicago to join his own Creole Jazz Band on second cornet. Still, King Oliver was a great trumpet playerand an important ...
Trumpeter Red Allen was one of the first musicians to assimilate the innovations of Louis Armstrong and fully take on board his influence. He also followed Armstrong’s career path, heading from New Orleans to Chicago in 1927 to play with King Oliver’s band. His impassioned trumpet sound was heard on recordings with Billie Holiday, Jelly Roll Morton...
The Preservation Hall Jazz Bandwas formed in the early 1960s out of an ensemble that played regularly at the Preservation Hall, a historic venue in New Orleans. Currently directed by Ben Jaffe, the band has featured numerous eminent musicians, including historic figures like “Sweet Emma” Barrett and Kid Thomas, and continues to tour internationally...
Trad Jazz. Although the term "traditional jazz" has been used for everything from Dixieland to the current straight-ahead jazz scene, Trad was the name for the form of New Orleans jazz that flourished in the United Kingdom during the 1950s and 1960s.
The term “traditional jazz” (or “trad jazz”) is most often used to mean the various styles of New Orleans jazz and their outgrowths, encompassing styles sometimes called dixieland, classic jazz, hot jazz, Chicago style, San Francisco style, etc.
