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    • Recorder, harmonica and bongo drums

      • With his use of such instruments as the recorder, harmonica and bongo drums, and in his unique utilization of the jazz idiom, Leith Stevens produces music with dynamic personal identification, not only for James Dean, but for every boy who's ever worn a leather jacket and for every girl who's ever danced without her shoes.
      en.wikipedia.org/wiki/Leith_Stevens
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  2. With his use of such instruments as the recorder, harmonica and bongo drums, and in his unique utilization of the jazz idiom, Leith Stevens produces music with dynamic personal identification, not only for James Dean, but for every boy who's ever worn a leather jacket and for every girl who's ever danced without her shoes.

  3. Jun 19, 2009 · Leith Stevens was present at the birth of three of the four major media innovations of the 20th century: radio, film and television. He was instrumental in developing all three and his contributions to them cannot be underestimated.

    • Mark Brill
    • 2009
  4. www.mmmrecordings.com › Composers › StevensLeith Stevens

    Born in Mount Moriah, Missouri, on September 13, 1909, Leith Amadeus Stevens grew up in a musical family, and as a child he began to study many aspects of music while focusing on the piano.

  5. Why did it become to sound the way it does and how does the musical mechanisms work? How are space, the extraordinary, the fantastic and the outer-worldly depicted in western science fiction filmography?

  6. May 17, 2022 · With his use of such instruments as the recorder, harmonica and bongo drums, and in his unique utilization of the jazz idiom, Leith Stevens produces music with dynamic personal identification, not only for James Dean, but for every boy who’s ever worn a leather jacket and for every girl who’s ever danced without her shoes.

  7. Explore Leith Stevens's discography including top tracks, albums, and reviews. Learn all about Leith Stevens on AllMusic.

  8. Stevens’ unique compositional techniques have significantly influenced the musical language of science fiction, employing devices like stacked fourths and fifths, melodic leaps of a seventh, and tritone-related progressions, which have become associated with the genre’s depiction of space and the extraterrestrial.