Search results
Oct 30, 2018 · Features. The Brit 50: Ecosse Films. By Ben Dalton 30 October 2018. Source: Ecosse. Douglas Rae, Robert Bernstein. Need to know: Ecosse Films established its reputation with John...
Dec 23, 2021 · In simplest terms, an international sales agent is the conduit to your film’s distribution outside of its country of origin.
- Will The Festival and Market Circuit Survive intact?
- What Will The Festival Calendar Uncertainty Mean For Filmmakers?
- Can The Documentary Boom Continue?
- Will The Awards Season Be More Representative?
- What Is The Risk to International Public Funding Models?
- How Can China Work with The International Industry?
- Can Cinemagoing Bounce Back to 2019 Levels?
- What Next For Sony and Paramount?
The consensus seems to be largely yes for 2021 – albeit in altered shape – but expect a new landscape from 2022. The industry has realised just how productive a person can be with a laptop, a kitchen table and a Zoom account and there are international events that are never going to retain their 2019 size. We have all found out the hard way we simp...
The first quarter of the year will see all North American and European film festivals and markets take place online. Slimmed-down versions of Sundance, SXSW, Goteberg, Glasgow and Rotterdamare very well prepared and the latter is looking forward to a physical event in June to celebrate its 50th anniversary. The Berlinaleis hoping for some kind of i...
2020 did not hold back the doc sector. Documentary filmmakers are unfazed by pandemic conditions for whom scant funding, challenging shooting environments, and a lack of glitzy physical screenings are nothing new. The festivals that support them – including Denmark’s CPH: DOX and France’s Visions du Reelto name two early ones – pioneered the move t...
The short answer is likely to be yes. The lack of US studio films is giving independent and some international titles the almost undivided attention of Oscar, Bafta and Globe voters. At an organisational level, Bafta has entered a period of intense soul-searching following the 2020 awards and undertaken an overhaul of voting procedures and membersh...
Governments around the world are spending billions on furlough schemes and financial packages to keep their economies afloat into 2021. The fear now is from where they are going to claw that money back. Cultural support for productions, for festivals, for training, for education, are undoubtedly at risk. National industries are going to need to pre...
China is now one of the few territories in the world with a flourishing theatrical market, although it has not been able to compensate for losses incurred when cinemas were closed by Covid-19 from late January to July. As of December 21, annual box office had reached $2.82bn, down 70.6% on the same point in 2019. Nonetheless, China overtook the US ...
Cinemagoing will bounce back in 2021, but don’t expect attendance levels – not in the West, at any rate – to overtake 2019 or other recent benchmark years, simply because venues won’t be open or operating at full capacity for the entire 12 months. 2022 will be a better measure of where exhibition stands. The sector took a battering in 2020 and the ...
Hollywood studios and their owners are set up to exploit feature films and entertainment IP across multiple platforms, with streaming now clearly front-and-centre of strategy. Universal Pictures and Warner Bros are owned by telecom behemoths, and Disney exists within its own massive media and entertainment entity. In a fast-changing landscape, obse...
Dec 1, 2016 · This article aims to identify the main trends in the global film market, especially in the structure of the three ‘regional’ markets of greatest political and economic importance – China, Europe and the United States/Canada – and the relationships between them. 1 Estimates by two authoritative sources 2 show that the global film market has exper...
Jun 1, 2023 · Global reach. The global spread of a country’s media can help it have an outsized effect on consumer trends, with the rise of South Korean music, television and film since the 1990s – termed the Korean wave, or hallyu – being one prominent example.
In recent years, the international market has become increasingly important for the major US studios who export their products. However, cultural differences between countries mean that what is popular in one country is not necessarily popular in another country.
People also ask
What does the international marketplace need to know about Ecosse Films?
Can international co-productions help the Chinese film industry gain global market share?
How are emerging markets transforming the film industry?
Why is European film industry and market different?
What about the temporary movement of goods, such as filming equipment? Are there impacts for film/ TV -related haulage? Does the UK participate in EU programmes, including the Creative Europe programme? Is the UK still represented as part of the European Film Agency Directors (EFAD) association?
