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  2. The movie is a remake of the Wages of Fear, something Friedkin denied despite it being a hilarious lie, which is superior in every conceivable way. Everything he added, especially giving the men backstories, just made the movie worse.

  3. Sorcerer is a 1977 American action-thriller film produced and directed by William Friedkin and starring Roy Scheider, Bruno Cremer, Francisco Rabal, and Amidou.

  4. Jul 13, 2021 · If you can power through the four introductory vignettes until the plot shifts to Central America, what you get is an exercise in technical expertise in film-making by Friedkin, with strong understated physical work by all four actors. This movie deserves more recognition, a true blue classic. ★★★★.

    • Synopsis
    • Casting
    • Production
    • The Bridge
    • Release
    • Themes
    • Legacy
    • Conclusion

    Sorcererfollows four men and gives a brief backstory to each. In Veracruz, Mexico, Nilo (Francisco Rabal) calmly executes a man in his apartment and walks out of the building. In Jerusalem, Israel, a group of Palestinian militants cause an explosion near the Damascus Gate. Of the group of four, two are killed, one is arrested, while Kassem (Amidou)...

    Friedkin envisioned Sorcererwith an all-star cast led by Steve McQueen, Marcello Mastroianni, and Lino Ventura. After meeting with McQueen, who loved the script, Friedkin seemed good to go, but McQueen wasn’t. As much as he loved the script, McQueen wasn’t keen on leaving the country or his wife, Ali McGraw. In order to sign on, McQueen wanted McGr...

    Friedkin filmed Sorcerer on location. Each of the four prologues was filmed in their respective cities, but the director loved Ecuador to double for Columbia. Pushback from Universal led the filming to move to the Dominican Republic. The owner of Gulf and Western (Universal’s parent company) Charlie Bluhdorn, intended to create a filmmaking center ...

    The two most harrowing sequences in the film are the attempts of each truck to cross a rotten bridge during a violent thunderstorm. John Box designed the bridge using carefully hidden hydraulics allowing control of the movement of the bridge and the trucks. The first iteration cost $1 million to complete, but mother nature got in the way. Upon comp...

    Following the fraught production, Paramount, and Universal Pictures agreed to a distribution deal to open the film on June 24, 1977. While Universal would handle the western United States, Paramount would handle the eastern US. The push-pull between both studios would be a problem for the film and for Friedkin. The film’s trailer debuted a month ea...

    Friedkin intentionally shot the film without sentiment or melodrama. No character is a clear-cut hero or villain. Each has its extreme faults and its redeeming qualities. Regardless, each character has their own moment of heroism when their back is against the wall. Friedkin admitted as much to The National in 2013: The entire plot of the truck tra...

    Despite its branding as a flop, Sorcerer ranked ninth on Ebert’s top ten films from 1977. The film’s exceptional sound effects earned Robert Knudson, Robert Glass, Richard Tyler, and Jean-Louis Ducarme an Oscar nomination, though they eventually lost to Star Wars. Mixed-to-positive reviews followed, though most of the negativity focused on the prod...

    While epitomizing the excesses and freedoms granted to auteur directors in the 1970s, Friedkin executes his vision with the chaos needed to convey the necessary tension. Much better than its reputation suggests, Sorcereris a filmmaker who knows what he’s doing, without being able to make it work commercially.

  5. Aug 13, 2023 · William Friedkin’s 1977 film Sorcerer is as exciting and intense as Friedkin’s Oscar-winning classic The French Connection.

    • Reporter
  6. Jungle drums were sounding the call for William Friedkin’s blood in 1977. Critics judged Sorcerer, his loose remake of George Clouzot’s 1953 action-adventure The Wages of Fear, filmed in the wilds of the Dominican Republic, an act of hubris out of step with the changing cinema demographic.

  7. All four men seek refuge in a grim shanty town somewhere in Latin America, a place of poverty, corruption and authoritarian rule. When an explosion causes a fire at an oil well more than 200 miles away, the oil company needs explosives transported through the jungle to the site.