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  1. Matthew Libatique (born July 19, 1968) is an American cinematographer. He is best known for his collaborations with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014), and Mother!

    • American
    • Mary Ellen Vales
    • Cinematographer
    • 1993–present
  2. Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017). He also shot Bradley Cooper's directorial debut film, A Star Is Born (2018).

    • January 1, 1
    • 3 min
    • Queens, New York City, New York, USA
  3. Birth name. Matthew J. Libatique. Mini Bio. Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017).

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  5. Matthew J. Libatique (* 19. Juli 1968 in Queens, New York) ist ein US-amerikanischer Kameramann. Seit Anfang der 1990er Jahre hat er an mehr als 40 Filmproduktionen, überwiegend Dramen, und über 80 Musikvideos mitgewirkt. Bekanntheit erlangte er vor allem durch seine langjährige Zusammenarbeit mit dem Filmregisseur Darren Aronofsky .

  6. Matthew Libatique (born July 19, 1968) is an American cinematographer. He is best known for his collaborations with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014), and Mother! (2017).

  7. Matthew Libatique is a Filipino-American cinematographer best known for his work with director Darren Aronofsky on such films as π, Requiem for a Dream, The Fountain, and Black Swan. Libatique has received three Academy Award for Best Cinematography nominations for his work on Black Swan (2010), A Star Is Born (2018), and Maestro (2023).

  8. And, unlike A Star is Born, which Libatique shot digitally, Maestro was always intended to be shot on film. At the 96th Oscars, Libatique received his third Oscar nomination for Best Cinematography. "What I love about this craft is that you learn something new all the time," he says. "If you're lucky, you learn something from every film.