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      • Yes, it focuses on an incident of World War II–era anti-Semitism, but it also looks at how the horrors of war can have lasting impact on both victims and those who profited from that victimization.
      www.thewrap.com/sarahs-key-unlocks-historical-tragedy-family-secrets-29262/
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  2. en.wikipedia.org › wiki › Sarah's_KeySarah's Key - Wikipedia

    Sarah's Key (French: Elle s'appelait Sarah) is a 2010 French drama film directed and co-written by Gilles Paquet-Brenner. The film is an adaptation of the 2006 novel by Tatiana de Rosnay. [3] The film alternates between a young girl Sarah (Mélusine Mayance) in 1942 and journalist Julia (Kristin Scott Thomas) in 2009 who is researching Sarah's ...

  3. Aug 19, 2011 · It is a classic story of survivor's guilt, and "Sarah's Key," based on a novel by Tatiana de Rosnay, often explores it with feeling.

  4. But Sarah’s Key the film, based on the best-selling novel by Tatiana de Rosnay gives it to the French. She takes a true historical event the “Vel’ d’Hiv roundup” of French Jews in Paris in July of 1942 and interweaves it with a contemporary fictional heroine Julia Jarmond, an American ex-pat living in Paris.

  5. Jul 22, 2011 · “Sarah’s Key” is more powerful than you expect, maybe even more powerful than it should be. An emotional detective story based on an international bestseller by Tatiana de Rosnay, its...

  6. Sarah's Key: Directed by Gilles Paquet-Brenner. With Kristin Scott Thomas, Mélusine Mayance, Niels Arestrup, Frédéric Pierrot. In modern-day Paris, a journalist finds her life becoming entwined with a young girl whose family was torn apart during the notorious Vel' d'Hiv Roundup in 1942.

    • (18K)
    • Drama, War
    • Gilles Paquet-Brenner
    • 2011-07-22
  7. Jul 15, 2011 · Based on Tatiana de Rosnay ’s best-selling novel, it begins on July 16, 1942, as 10-year-old Sarah Starzynski is arrested with most of her family in the infamous roundup of Parisian Jews. It...

  8. Jul 21, 2011 · “Sarah’s Key,” Gilles Paquet-Brenner’s adaptation of Tatiana de Rosnay’s best-selling novel, is undone by its very premise: that the two stories it tells can coexist in the same film.