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Conventional movie plots telegraph themselves because we know all the basic genres and typical characters. Haskell Wexler’s “Medium Cool” is one of several new movies that knows these things about the movie audience (others include “ The Rain People,” “ Easy Rider,” “ Alice's Restaurant,” etc.). Of the group, “Medium Cool ...
- "Medium Cool" on multiple levels
A fourth viewing of “Medium Cool” convinces me more than...
- "Medium Cool" on multiple levels
English. Budget. $800,000 [1] Box office. $5.5 million (rentals)[3] Medium Cool is a 1969 American drama film written and directed by Haskell Wexler and starring Robert Forster, Verna Bloom, Peter Bonerz, Marianna Hill and Harold Blankenship. It takes place in Chicago in the summer of 1968. It was notable for Wexler's use of cinéma vérité ...
Medium Cool. John Cassellis (Robert Forster) is a hardened TV news cameraman who manages to keep his distance while he captures daring footage of a nation in the throes of violent change. He ...
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- Haskell Wexler
- R
- Robert Forster
Medium Cool is an awkward and even pretentious movie, but, like the report of the President's National Advisory Commission on Civil Disorders, it has an importance that has nothing to do with ...
Dec 19, 2012 · A fourth viewing of “Medium Cool” convinces me more than ever that this is a great American document, one of the most important films of this political and social period. It’s also evident, this time around, that “Medium Cool” succeeds in different ways than most movies; that, indeed, it is weakest on its conventional levels.
Medium Cool: Directed by Haskell Wexler. With Robert Forster, Verna Bloom, Peter Bonerz, Marianna Hill. A TV news reporter finds himself becoming personally involved in the violence that erupts around the 1968 Democratic National Convention.
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What is Medium Cool?
Medium Cool, his debut feature, plunges us into the moment. With its mix of fictional storytelling and documentary technique, this depiction of the working world and romantic life of a television cameraman (Robert Forster) is a visceral cinematic snapshot of the era, climaxing with an extended sequence shot right in the middle of the riots surrounding the Democratic National Convention in Chicago.
