Yahoo India Web Search

Search results

  1. After living in the East Village neighborhood of New York City, Oiticica had issues with immigration, which led to his return to Rio de Janeiro, where he died. [ 2 ] [ 3 ] Tropicalismo Movement

  2. When he died in 1980 at the age of just 42, Hélio Oiticica left an extraordinary body of work that was innovative, intelligent and engaging. But perhaps his most important legacy was that he put people at the centre of art.

    • How did Oiticica die?1
    • How did Oiticica die?2
    • How did Oiticica die?3
    • How did Oiticica die?4
    • How did Oiticica die?5
  3. Biography. Hélio Oiticica (Portuguese: [ˈεlju ɔjtʃiˈsikɐ]; July 26, 1937 – March 22, 1980) was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included ...

    • How did Oiticica die?1
    • How did Oiticica die?2
    • How did Oiticica die?3
    • How did Oiticica die?4
    • How did Oiticica die?5
  4. Jul 24, 2017 · Oiticica died in 1980, of a stroke, at the age of forty-two, after early success in Rio de Janeiro, a brush with fame in London, obscurity during seven years in New York, and a return to...

    • Peter Schjeldahl
  5. Sep 8, 2024 · Hélio Oiticica died unexpectedly in 1980 at the age of 42 from a stroke, leaving behind a legacy that continues to resonate in contemporary art.

  6. Art Fairs. Hélio Oiticica Biography. Hélio Oiticica was an important figure of the Neo-Concrete (1959–1961) art movement in Brazil. Neo-Concretists called for artworks to be like living organisms, engaging in spatial relationships with the viewers and thereby rejecting a rationalist approach that emphasised pure forms of representation.

  7. People also ask

  8. Hélio Oiticica (Portuguese: [ˈεlju ɔjtʃiˈsikɐ]; July 26, 1937 – March 22, 1980) was a Brazilian visual artist, sculptor, painter, performance artist, and theorist best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art," which included Parangolés ...