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Shankar–Jaikishan (also known as S-J ), were an Indian composer duo of the Hindi film industry, working together from 1949 to 1971. They are widely considered to be one of the greatest ever music composers of the Hindi film industry. [1] [2] After Jaikishan’s death in 1971, Shankar continued as a music director alone until his own death in 1987.
- Shankar Jaikishan discography
Shankar Jaikishan discography. This is a discography of...
- Shankar Jaikishan discography
Shankar Jaikishan discography. This is a discography of Bollywood composer duo Shankar–Jaikishan, also known as S-J in short, consisting of music directors duo Shankar Singh Ram Singh Raghuvanshi and Jaikishan Dayabhai Panchal .
YearFilm1949195119511951Shankar Jaikishan, also known as S/J, is an Indian music composer duo in the Hindi film industry, working together from 1949–1971. 1968 – Shankar-Jaikishan was honoured with the Padmashri by the Government of India. Shankar-Jaikishan, along with other artists, wrote “everlasting” and “immortal melodies” in fifties and sixties.
About. Shankar Jaikishan, also known as S/J, is an Indian music composer duo in the Hindi film industry, working together from 1949–1971. Shankar-Jaikishan, along with other artists, wrote “everlasting” and “immortal melodies” in fifties and sixties.
शंकर जयकिशन (जिन्हें S-J के नाम से भी जाना जाता है), 1949 से 1971 तक एक साथ काम करते हुए हिंदी फिल्म उद्योग की एक लोकप्रिय और सफल भारतीय संगीतकार जोड़ी थी। उन्हें हिंदी फिल्म उद्योग के सर्वश्रेष्ठ रचनाकारों में से एक माना जाता है। बाद में, शंकर अकेले संगीत निर्देशक के रूप में कार्य करते रहे, फिर भी 1987 तक शंकर-जयकिशन के बैनर तले संगीत देते रहे|.
Sep 17, 2021 · Jaikishan was an expert in Indian and Western classical music, besides folk, jazz and pop music. He openly admitted that the title music of the charade in ‘Gumnaam hai koi’ was. The cult-classic...
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Shankar Jaikishan, also known as S/J, is an Indian music composer duo in the Hindi film industry, working together from 1949–1971. Shankar-Jaikishan, along with other artists, wrote “everlasting” and “immortal melodies” in fifties and sixties.
