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References. External links. Lorens Marmstedt, né Sigfrid Lorens Eriksson (29 October 1908 – 4 April 1966) was a Swedish film producer. [1] . He produced more than 50 films between 1932 and 1965. [2] Selected filmography. The Love Express (1932) A Stolen Waltz (1932) Perhaps a Poet (1933) Eva Goes Aboard (1934) The Atlantic Adventure (1934)
Lorens Marmstedt, Sigfrid Lorenzo Marmstedt, tidigare Eriksson, född 29 oktober 1908 i Stockholm, död 4 april 1966 i Stockholm, var en svensk regissör, manusförfattare och filmproducent. Biografi. Marmstedts far var från Norrland och modern var italienska, född i Tunisien. Fadern var affärsman och drev företaget AB Medelhavskompaniet.
Lorens Marmstedt, born Sigfrid Lorenzo Eriksson on October 29, 1908 in Stockholm, Sweden, was a producer, director and writer. "It was he who taught me to make the film" (Ingmar Bergman). During his childhood Lorens lived with his father, a Swedish businessman, and his Italian mother, in France, Italy and Sweden.
- January 1, 1
- Stockholm, Stockholms län, Sweden
- January 1, 1
- Stockholm, Sweden
Lorens Marmstedt (né le 29 octobre 1908 à Stockholm et mort le 4 avril 1966 (à 57 ans) dans la même ville) est un producteur de cinéma suédois . Biographie. Lorens Marmstedt est notamment connu pour avoir produit les premiers films de Ingmar Bergman. Il a été membre du jury du Festival de Cannes 1964 . Filmographie. 1932 : Kärleksexpressen.
Producer Lorens Marmstedt agreed to finance the filming of Bergman's experimental screenplay, which the director said was in large part exploring the question, "Is earth Hell?"
Enterprising and audacious film and theatre producer who fostered a new generation of Swedish film directors in the 1940s via his own company, Terrafilm, Marmstedt had a profound influence on the young Ingmar Bergman, whom he also engaged as a theatre director at his own Intima theatre in Stockholm.
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The Love Express (Swedish: Kärleksexpressen) is a 1932 Swedish drama film directed by Lorens Marmstedt and starring Isa Quensel, Einar Axelsson and Nils Ohlin. The film's sets were designed by the art director Bertil Duroj.
