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  1. en.wikipedia.org › wiki › Andrew_SoltAndrew Solt - Wikipedia

    Andrew Solt (born 13 December 1947) is a British-born American producer, director, and writer of documentary films. Solt has had a long career in television. A frequent focus of his documentaries is rock and roll music, its history and star performers.

    • Andrew P. Solt

      Andrew Peter Solt (June 7, 1916 – November 4, 1990) was a...

  2. This Is Elvis is a 1981 American documentary film about the life of Elvis Presley, written and directed by Andrew Solt and Malcolm Leo. It combines archival footage with reenactments, and voice-over narration by pop singer Ral Donner, imitating Presley's speaking voice.

  3. www.wikiwand.com › en › Andrew_SoltAndrew Solt - Wikiwand

    From Wikipedia, the free encyclopedia. Andrew Solt (born 13 December 1947) is a British-born American producer, director, and writer of documentary films. Solt has had a long career in television. A frequent focus of his documentaries is rock and roll music, its history and star performers.

  4. www.imdb.com › name › nm0813583Andrew Solt - IMDb

    Producer: The Magical World of Disney. Andrew Solt was born on 13 December 1947 in London, England, UK. He is a producer and director, known for The Magical World of Disney (1954), Cousteau: Oasis in Space (1976) and Gimme Some Truth: The Making of John Lennon's Imagine Album (2000).

    • Producer, Director, Writer
    • December 13, 1947
    • Andrew Solt
  5. Executive Producer. From Wikipedia, the free encyclopedia. Andrew Solt (born December 13, 1947) is a producer, director, writer and documentary filmmaker. He has done numerous television specials and series for both broadcast and cable television and also movies.

  6. Among Mr. Solt's credits was "In a Lonely Place," a much-praised 1950 film noir directed by Nicholas Ray. It centered on a cynical screenwriter (Humphrey Bogart) who eludes a murder charge but loses his lover (Gloria Grahame) through his violent temper. The script was hailed as "almost as flinty as the actor himself" in The New York Times by Thomas M. Pryor, who wrote that "because Mr. Solt did not compromise to fabricate a happy ending, the climax packs both surprise and a punch." Mr. Solt ...

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