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      • the Rascals, American pop group who, along with the Righteous Brothers, were the preeminent practitioners in the 1960s of blue-eyed soul (music created by white recording artists who faithfully imitated soul music).
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  2. Aug 9, 2024 · the Rascals, American pop group who, along with the Righteous Brothers, were the preeminent practitioners in the 1960s of blue-eyed soul (music created by white recording artists who faithfully imitated soul music).

    • The Editors of Encyclopaedia Britannica
  3. The Rascals, along with the Righteous Brothers, Mitch Ryder, and precious few others, were the pinnacle of ’60s blue-eyed soul. The Rascals’ talents, however, would have to rate above their rivals, if for nothing else than the simple fact that they, unlike many other blue-eyed soulsters, penned much of their own material.

  4. en.wikipedia.org › wiki › The_RascalsThe Rascals - Wikipedia

    The Rascals were Sales's back up band touring local colleges in the early months of 1965. Initially, the Rascals began rehearsing at Cavaliere's house in Pelham Manor, New York and then, the Choo Choo Club, mostly because it was close to Brigati's home and they needed a showcase. [5]

  5. The Rascals were the first all-white group signed to Atlantic Records. They (along with The Righteous Brothers and The Box Tops), were practitioners of a genre of music coined 'blue-eyed soul'. Tambourine players · 81T

  6. The Righteous Brothers are an American musical duo originally formed by Bill Medley and Bobby Hatfield but now comprising Medley and Bucky Heard. Medley formed the group with Hatfield in 1963.

  7. The premier blue-eyed soul performers of the 1960s were the Righteous Brothers, comprising Bill Medley (b. September 19, 1940, Los Angeles, California, U.S.) and Bobby Hatfield (b. August 10, 1940, Beaver Dam, Wisconsin, U.S.—November 5, 2003, Kalamazoo, Michigan), and the Rascals (known for a time as the Young Rascals), whose principal ...

  8. The group had been driven to become known as blue-eyed soul brothers, much in the tradition of the Magnificent Men and the Righteous Brothers, and so where they had formerly assimilated their R&B roots in a way that was never obvious, always in the context of the white rock & roll band formula, the now chose to bring it out in the open.